Jerry Saltz Quotes
Few contemporary artists mined the space between the ordinary and the strange better than Orozco did.
Quotes to Explore
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We need a community of nations capable of space flight because we all have to be off this planet sometime in the future. Our sun is going to burn out eventually, and we are not in a sustainable situation.
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So most astronauts getting ready to lift off are excited and very anxious and worried about that explosion - because if something goes wrong in the first seconds of launch, there's not very much you can do.
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The music comes through me, and I let it come the way it comes, and it shapes itself. I just hold space for it. I don't intend to write it for a purpose, but it comes as it comes and am proud of the way it can support change because I believe strongly in what I sing about.
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Today's kitchen is all about a well-planned space that makes cooking a completely interactive experience among family and friends.
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I wanted to be a scientist, but I wanted to go into space. They are not mutually exclusive.
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Cinema is a thankless industry where sometimes to appear on the cinematic scenery is a thing for late bloomers and people who are very patient. The places are accounted, and the space is often unwelcoming. Money is rare, and independent voices are muted by the almost complete absence of risk takers.
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The boundary between space and the earth is purely arbitrary. And I'll probably always be interested in this planet - it's my favorite.
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I've always fantasized about being on TV. And I was. Then I fantasized about being in the movies. What could be better than captain of a space ship? I get to ride horses, shoot guns, have adventures.
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Reason is like an open secret that can become known to anyone at any time; it is the quiet space into which everyone can enter through his own thought.
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If women can be railroad workers in Russia, why can't they fly in space?
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My whole drive is to make sure that music is a common space where we search for beauty and share it. It needs to be louder than any conversation. That's where we have to go as a human race.
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People always ask why I stay in the online space versus going to TV or film, like most people would do, and the answer is that there's opportunity for innovation online - not only innovation in storytelling, but also innovation in how you interact with your audience and that is very fulfilling to me personally.
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Television has filled the space for actors that really want to make good work and not just make a lot of money and be famous for making a lot of money and being famous.
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I believe we can do more in making the President's vision for space exploration a reality by awarding cash prizes to encourage greater participation of the private sector in the national space program.
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We collectively have a special place in our heart for the manned space flight program - Apollo nostalgia is one element, but that is only part of it. American culture worships explorers - look at the fame of Lewis and Clark, for example. The American people want to think of themselves as supporting exploration.
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During that space walk there will be some repositioning of the power so that the arm can be fully controlled by the robotic station that is in the Lab.
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I have friends who I consider my peers, who have done amazing work, particularly in the film and television space, who came up as independent artists and who have been - to be brutally honest - much more prolific than I was able to be.
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The fact that I was going to be the first American woman to go into space carried huge expectations along with it.
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I was 17 when I was forced into marriage. I had no hand in it, and I didn't even enjoy being with the man. Also, I wanted to study, but no one listened to me. I wanted to move forward in life, it wasn't a happy situation. Because of some family problems, I had to stick around.
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You have to understand, I can't do any jokes about Ross Perot, because the last thing I need right now is another credit check.
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Work hard, use your common sense and don't be afraid to trust your instincts.
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I was a dishwasher at one of those Japanese places that cook on your table. Not too fun.
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Few contemporary artists mined the space between the ordinary and the strange better than Orozco did.
