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Usually it takes me about nine to 12 months to write a book.
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My first four books were not published because nobody wanted them. They were adult books, not kids' books.
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I went to Gettysburg College, where the famous Civil War battle was fought. I majored in English. I would've liked to major in writing, but they didn't offer a major in that.
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Write what you care about. If you do that, you stand the best chance of doing your best writing.
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Actually, between books is precisely when I do give myself vacations.
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I seem to have a natural tendency to want to share my own observations and feelings with other people, and writing seems to be the way I'm best equipped to do that.
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I never became a cowboy or baseball player, and now I'm beginning to wonder if I ever really became a writer. I find that I hesitate to put that label on myself, to define myself by what I do for a living.
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I don't really write for adults or kids - I don't write for kids, I write about them. I think you need to do that; otherwise, you end up preaching down. You need to listen not so much to the audience but to the story itself.
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Now I don't really write for adults or kids - I don't write for kids, I write about them. I think you need to do that, otherwise you end up preaching down.
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More often than not, my reference point is not the kids or the grandkids but myself when I was that age. I remember the days at Hartranft Elementary and Stewart Junior High in Norristown.
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Peer pressure is just that: pressure.
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I have a curious background for someone who turns out to be a writer.
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Even including myself, my favorite author is Eileen Spinelli, who I happen to live with. She's a terrific writer and has written several of my all-time favorites.
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Sometimes I'm asked if I do research for my stories. The answer is yes and no. No, in the sense that I seldom plow through books at the library to gather material. Yes, in the sense that the first fifteen years of my life turned out to be one big research project.
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I pointedly avoid doing sequels, since for the most part I find that a sequel rarely stands up to the original.
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I've been writing since I was sixteen. At first, I wrote mostly short stories and poetry. The first thing I ever had published was a poem about a football game. It was printed in my local newspaper.
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When people hear I have six kids and 16 grandkids, they think, 'Oh, boy, you must get a lot of stories from them.' I don't. It's not like I'm behind the sofa in the living room taking notes while the grandkids carry on.
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I spend more time being what I am: a writer, not the visiting celebrity.
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Kids still can be said to live in their own little world. Even if their parents are helicoptering around them, assigning play dates and so forth, I think they're still living in some sense of their own little perceptual worlds.
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Once, I was out of the house 93 days in a year. I was missing grandparents' days at schools and kids' birthdays and Valentine's Day, not to mention the fact that when you're on the road, you can't get anything done. I had to learn to say 'No,' cut back on travel.
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Ideas come from ordinary, everyday life. And from imagination. And from feelings. And from memories. Memories of dust in my sneakers and humming whitewalls down a hill called Monkey.
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Nobody told me how hard it was going to be to get published. I wrote four novels that nobody wanted, sent them out all over, collected hundreds and hundreds of rejection slips.
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When I was growing up, the first thing I wanted to be was a cowboy. That lasted till I was about ten. Then I wanted to be a baseball player. Preferably shortstop for the New York Yankees.
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In my mind, I'm writing for everybody.