Jerry Spinelli Quotes
I was very naive, and I thought it was just a matter of writing my first book and sending it in, and for the rest of my life I would be writing books and collecting royalties. Nobody told me how hard it was going to be to get published.

Quotes to Explore
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Immortality is really desirable, I guess. In terms of images, anyway.
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In politics people give you what they think you deserve and deny you what they think you want.
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I think I began to like writing a lot more, and to be a better writer, when I did it for a while alone. It made me a little more confident about my style.
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When I was 15 years old, I read an article about Ivan Boesky, the well-known takeover trader - turned out years later it was all on inside information! But before that came to light, he was very successful, very flamboyant. And I thought, 'This is what I want to do.' So I'm 15 years old, I decide I'm going to Wall Street.
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It's nice not to be too boring.
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One theme I ran into over and over while writing about the periodic table was the future of energy and the question of which element or elements will replace carbon as king.
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The good poet sticks to his real loves, those within the realm of possibility. He never tries to hold hands with God or the human race.
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The problem with the focus on speculators, as was demonstrated during the financial crisis, is that it tends to divert attention from the real villains. During the financial crisis, the villains were the actions of the banks, not the speculators betting on bank share prices.
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I have a very rich and wonderful personal life, and at its core are my sons.
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Multicultural markets are nuanced but not alien.
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About a year after leaving drama school or a year and a half - and I was working solidly ever since leaving drama school - I picked up 'Game of Thrones.'
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Perhaps 10 percent of patients who are prescribed antidepressants are really benefiting from the drugs' active ingredients.
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Mulberry Street was the beating heart of the Italian-American experience, but you don't find those gangsters now. I live with a bunch of yuppies and models.
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You compose because you want to somehow summarize in some permanent form your most basic feelings about being alive, to set down... some sort of permanent statement about the way it feels to live now, today.
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I grew up during the Revolution of Iran and the war between Iran and Iraq. The things that I saw. The impact. How it changes you. How it changes the way you look at the world.
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Everybody that you could name would join in our audiences from, Laguardia on down. Everybody came. Everybody came to the Cotton Club.
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When I run in Ethiopia, I look out and see eucalyptus trees and rivers.
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We're Midwestern guys who grew up listening to soul music.
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One of the banes of successful innovation is that companies may be so committed to innovation that they will give the innovators a lot of money to spend.
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I think you have a pact with an audience in every picture, and I think the pact is to try and be truthful and to be real.
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I never really thought of myself as an Asian-American cartoonist, any more than I thought of myself as a cartoonist who wears glasses.
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Fiction just has a lot more room for ambivalence and internal conflict, contradiction, and for me that sums up so much of what people felt after 9/11 - confusion even. And I think that's hard to capture in journalism.
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The financial crisis was linked to the fact that banks had excessive leverage and too many risky assets. The solution is not to try to dictate to banks what they can do or not do, but to require them to strengthen their capital to absorb potential losses and hold less risky assets.
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I was very naive, and I thought it was just a matter of writing my first book and sending it in, and for the rest of my life I would be writing books and collecting royalties. Nobody told me how hard it was going to be to get published.