Jesse Kellerman Quotes
Quotes to Explore
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I am not an enemy of the Negro. We want him here among us; he is the only laboring class we have.
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For anyone who works in front of an audience there is no thrill quite like that of feeling and hearing the evidence of the audience members' enjoyment. Laughter and applause really are powerful.
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In capitalist history, invasion and class struggle are not opposites, as the official legend would have us believe, but one is the means and the expression of the other.
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Coming out of college with a degree in fine arts and painting isn't worth much any more.
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I've never really done acting before, 'cause dancing was my first love. And then, I sort of fell into it from a talent competition and never really looked back.
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I wasn't very good as a puppet. A lot of times in a movie, you need a really good puppeteer: you're sort of a puppet, and you're doing what you can. But I always, from the beginning, was kind of making up my own stuff from stand-up and sort of directing myself, so I wasn't very good in movies where I didn't have control.
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It's totally mistaken to suppose that an armed escort is going to give a journalist any protection - on the contrary, journalists who turn up surrounded by armed personnel are just turning themselves into targets and in even worse danger.
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I like to go hear jazz late-night up in Harlem.
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It's important to get well-rounded right off the bat. A lot of experienced dancers can get pigeonholed into one thing. I've been hired for a lot of different gigs simply because I can do a lot of different things with different levels of dancers. And it's sad to me that some dancers don't do more.
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In 20 years I want to look back and see a collection of crazy characters that I made - a menagerie.
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I'd be more likely to go for somebody who is like me. Well, I like creative people, so whatever that means... Yeah, authentic and creative.
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You don't need to wear Spanx if you buy my clothes. The dress, the trousers, the pencil skirt - they should do the work.
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I am a self-critical perfectionist.
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Nothing I have done professionally will top the feeling I got when singing with John Farnham at the 2000 Olympic Games in Sydney.
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Everyone is going to have to step up to the plate.
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We do take pride in how we look, but it's really just like, take a couple minutes, and you're ready to go.
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Well, a younger woman is a type, but not necessarily a type for me. And what is a younger woman? I mean, I'm pretty old. Almost everyone is younger.
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It would be curious to discover who it is to whom one writes in a diary. Possibly to some mysterious personification of one's own identity.
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I love my work. It's been good to me.
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There is no more sombre enemy of good art than the pram in the hall.
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A strange thing has happened - while all the other arts were born naked, this, the youngest, has been born fully-clothed. It can say everything before it has anything to say. It is as if the savage tribe, instead of finding two bars of iron to play with, had found scattering the seashore fiddles, flutes, saxophones, trumpets, grand pianos by Erhard and Bechstein, and had begun with incredible energy, but without knowing a note of music, to hammer and thump upon them all at the same time.
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In the store, Bill is buying some pants.
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Art requires choices, the more specific, the better.
