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I have made decisions based from purely an actor's point of view.
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Successful model? That's a myth. The year I modeled was the most painful year of my life. Editors would always talk to you in the third person as though you were merely a piece of merchandise.
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To work on the actual location I think is great. This thing of going to Canada and pretending you're in New York, it's terrible.
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So much of my sense of who I am is tied to mothering. When they left home, I fell into a huge, empty, black hole. Your children are grown and your career has slowed down - all the stuff that took up so much attention is gone, and you're left with expansive time and space.
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Sometimes the odds are against you-the director doesn't know what the hell he's doing, or something falls apart in the production, or you're working with an actor who's just unbearable.
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Photography was a blessing because it filled my time. If I had to start over, I'd pursue photography - probably to the exclusion of acting.
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I never felt like I belonged in Minnesota when I was growing up there. That's why I was out the door as soon as I turned 18.
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The natural state of motherhood is unselfishness. When you become a mother, you are no longer the center of your own universe. You relinquish that position to your children.