Jessica Stroup Quotes
I love getting to work with the stunt coordinator. It's like choreography, like a dance.
Quotes to Explore
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People get TV deals by doing something in their grandmother's basement. It is definitely the wave. Everybody is trying to do all that stuff. I mean, the Internet is the only reason that I've gotten work is because I've somehow created a line and people have seen it. And then I've been asked to auditions.
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The fundamental importance of the subject of molecular diffraction came first to be recognized through the theoretical work of the late Lord Rayleigh on the blue light of the sky, which he showed to be the result of the scattering of sunlight by the gases of the atmosphere.
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It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized.
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I'd hopefully work through all my issues with men first so then I'd be okay being with a woman.
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I'm smart enough to know to work with smart people.
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Writers always have confidence issues - it comes with the territory. We never know where we fit in, or what the actual value of our work might be. So we hit lulls, or slogs. Throw in the idea that many creative people are somewhat manic-depressive, and it can get pretty dark at times.
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The workingmen have perceived that women are in the field of industry to stay; and they see, too, that there can not be two standards of work and wages for any trade without constant menace to the higher standard.
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Suppose I put polka dots all over my body and then cover my background completely with polka dots. The polka dots on my body, merging with those in the background, create an optically strange scene.
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I want to know that I gave my 100 percent, and even if it doesn't work, you know that you gave everything, and you don't have to look at it and say... I could have gave more - that would break my heart.
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I want to do work that has a message and casts a light over an area that's dark. But I'm fun and jovial, too.
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I try to take the time to appreciate and I certainly do appreciate and I do feel proud but that is probably one of the things I need to work on, building a bit of time for myself.
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Managers in all too many American companies do not achieve the desired results because nobody makes them do it.
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While I was at Cornell in engineering, I was an engineering co-op student, and that turned out to be very valuable because we'd go out every other term to work in industry and have that close association with industry.
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I've learned not to hide behind a veil of irony - to talk about my work in a more honest way.
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I don't want to name any names, but I've worked on television shows where there's a guy writing for my generation who's, like, 60 - and it doesn't work.
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Going to work for a large company is like getting on a train. Are you going sixty miles an hour or is the train going sixty miles an hour and you're just sitting still?
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I will try to work for greater reconciliation, cooperation and peace in North East Asia based on correct perception of history.
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Work at the same time on sky, water, branches, ground, keeping everything going on an equal basis... Don't be afraid of putting on colour... Paint generously and unhesitatingly, for it is best not to lose the first impression.
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Obviously I'd love to work with any of these great directors because every time I've worked with them I've gained a tremendous amount as an actor. Each director has his own way of pushing you towards improving yourself.
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Those who say that without the monarchy Britain would be a banana republic are closing their eyes to the banana republic features which the cult of monarchy necessitates. Dazzled by the show, moreover, they may be missing other long-run tendencies towards banana-dom which it is the partial function of monarchy to obscure.
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I've felt a little culpable that we entrepreneurs often invent businesses just to drive people to buy more things.
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I'm endorsed by Yamaha. I represent Yamaha, and I really like the way that piano handles and capacitates the force that I put into it without losing the shape of the sound and the contour, and it really holds up well.
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There are two conflicting philosophies that I love: "Everything happens for a reason," as well as "you can change everything that you have control over."
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I love getting to work with the stunt coordinator. It's like choreography, like a dance.
