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'White Christmas' is one of my favorite movies, so I've always just had a love for that kind of golden era musical.
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I really feel strongly that we don't need to dumb things down for children.
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I'd been acting in Chicago since I came back after University, and I got a call from my agent saying, 'They're doing this revival of 'On a Clear Day,' and I actually auditioned when the team came through Chicago for the 'American Idiot' tour.
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If I've gotten to a point where people want to see something because I'm in it, I'm grateful and humbled. But having an awareness of that doesn't help me do what I need to do, I think.
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Directors didn't know what to do with me in college. I didn't really sound like a belter. I didn't look like a soprano. But in New York, I was in the right place at the right time, where my unusualness fit the bill.
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'If I Loved You.' All the way. Totally intimidated by it. From the outside, it has this aura of being one of the greatest musical theater scenes ever written.
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The thing that gives me great hope is that I think, if anything, our world now is ready to be, like, 'This stuff happens.' We're not trying to pretend like terrible things don't happen, that uncomfortable situations, uncomfortable behavior, unhealthy behaviors don't occur in our daily lives.
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I think the job of art and drama is to hold a mirror up to those things and say, 'What do you think about it?'