Jessye Norman Quotes
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Problems arise in that one has to find a balance between what people need from you and what you need for yourself.
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It is still more likely that a woman's power would be seen as aggression, and a man's power would be seen as assertion.
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If I were not able to separate the art from the artists, I think I would limit myself a great deal, and life wouldn't be nearly as interesting.
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I was given the opportunity to write the kind of book that I wanted to write, rather than one that catalogues where I sang and what I sang and what I wore. I wanted to write a book about an American family, the family that has produced me. The longer I live, the more I realise the incredible support and love we were given as children.
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I try to frighten my very young colleagues into studying and understanding their voices before they attempt things that are beyond them. It's wise to take gymnastics and swimming to strengthen the body, because people don't realise what an athletic undertaking singing actually is.
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Growing up in Augusta in such a protected and loving community is something that I really enjoy talking about. I love talking about - even though I grew up, of course, in the time of segregated schools: Brown vs. Board of Education came along after I was already in first grade.
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I like so many different kinds of music that I've never allowed myself the limitations of one particular range.
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I am the proud and humble recipient of more than 30 honorary doctorate degrees.
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I would like to see more African-American singers as part of our opera companies. If you take music and the arts out of the public schools, then you're going to lose a lot of people that you might have discovered were talented, very early.
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One of the reasons that I take such joy in being a trustee of the New York Public Library is the love of reading that I found as a child in the Saturday morning library events for preschoolers and first and second graders as I was growing up in Augusta, GA.
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There's no anger ever in a spiritual. There's always the dream of a hope of a better day coming. That God understands the troubles that I'm experiencing.
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There has never been a time when I was not committed to, involved in, or caring of, the social and political issues of my world.
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One has to draw upon one's own musical thoughts and one's own musical acumen, and not to be afraid to let that come into one's work. Perhaps that comes with more experience, but perhaps it also comes with daring, and believing that you should.
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I was given a stethoscope in a child's 'doctor's bag' at about age six and I loved it! One could hear the heart beating through that plastic toy.
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'Swan,' by Mary Oliver. Poems and prose. Reading from this book is as if visiting a very wise friend. There is wisdom and welcoming kindness on every page.
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I think that, certainly, most of my operatic roles are in German. I think it happened because, of course, I was lucky in that I was invited to sing, first of all, my operatic debut in Berlin at the Deutsche Oper Berlin, which was West Berlin at the time.
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I am not one to equate dress size and artistic performance.
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There is a lot of propaganda about opera singers not being able to act. That's not necessarily true and hasn't been true for a very long time. And certainly there were those instances when singers were told they need to fit into a certain size dress. Of course, women. Men? They just make the costume bigger.
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I am grateful that my horizons were not narrowed at the outset.
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There have been occasions - and I think it's very good for any human being that such occasions would be rare - that one would feel that one is a channel, and there have been some occasions when it seemed as though I was standing outside of myself watching and listening to myself sing.
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I sing in Hungarian. I read Hungarian. I do not pretend to speak Hungarian, but I sing in languages that I have studied as languages. And I find that to be central and very, very helpful. I think if you're not really cognizant of what every single word means, I think that might be a little tricky.
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A person has the right, and I think the responsibility, to develop all of their talents.
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I feel comfortable singing in the great cathedrals of the world because I spent so much time as a child singing in church. And it isn't very different. Of course, nothing looks quite like Notre Dame de Paris.
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As for my voice, it cannot be categorised - and I like it that way, because I sing things that would be considered in the dramatic, mezzo or spinto range.