Irvine Welsh Quotes
I grew up in a place where everybody was a storyteller, but nobody wrote. It was that kind of Celtic, storytelling tradition: everybody would have a story at the pub or at parties, even at the clubs and raves.
Quotes to Explore
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We want a story that starts out with an earthquake and works its way up to a climax.
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There are so many steps you have to go through to reach a high level, so you're kind of building your own, I would say, mountain. You have to go piece by piece by piece. When you're young and really ambitious, you want to jump right up. It kind of teaches you a lesson, I would say.
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A story never looks as good as when the other fellow buys it.
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Perhaps one of the most important things you can do for human beings is wean them off an animal-based diet. It hardens the arteries and runs up our health-care costs. The last thing a poor person can afford is a heart attack or cancer or a stroke. And that's all linked to a meat-based diet. I think animal liberation is human liberation.
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Growth should take care of the fear of job losses. People will be challenged to do different things. For people who are not up to it, purely based on objective assessment, that's a different issue, which, you do it anyway.
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I love C-3PO; I love the girl from 'Ex Machina' - these kind of robots that have so much soul that you feel for them.
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I'm not the kind of director who aims to send a message out.
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A lot of my creative energy is spent coming up with a concept that, once I get it, I feel like it writes itself.
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This may sound funny, but I feel my most beautiful when I'm clean, fresh out of the bath. I don't have to be dressed up. I could be in comfy clothes at home hanging out with my family.
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There's something about Marxism that brings out warts; the only kind of growth this economic system encourages.
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I've put up with more humiliation than I care to remember.
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I couldn't live up to it. So I chose to run away.
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When you get into statistical analysis, you don't really expect to achieve fame. Or to become an Internet meme. Or be parodied by 'The Onion' - or be the subject of a cartoon in 'The New Yorker.' I guess I'm kind of an outlier there.
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My evening really begins when I take a long, hot bath. I light a candle, and I turn on the news and try to catch up. It's when I can breathe from the day to the night, and that means a lot to me.
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Being traditional is a choice for me. South Indian families bring up their children with a sense of freedom, self-respect and self-value. We do whatever we have to with earnestness and honesty, including being uninhibited. Yet we hold onto our roots.
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You must go after your wish. As soon as you start to pursue a dream, your life wakes up and everything has meaning.
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I wanted to make Canadian films, and I ended up making American films.
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'Perfect' is about a set-up that looks perfect from the outside - beautiful country house, beautiful wife and mother, everything where it should be - and the deep fissures that, in fact, lie beneath that. 'Perfect' was partly a response to the shock of my first book, 'The Unlikely Pilgrimage Of Harold Fry,' being a success.
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It's bizarre to be given an award for being empathetic and kind, which is what we all should be.
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In marriage there are no manners to keep up, and beneath the wildest accusations no real criticism. Each is familiar with that ancient child in the other who may erupt again. We are not ridiculous to ourselves. We are ageless. That is the luxury of the wedding ring.
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When the residue of oppression and fear are compounded over time, when the historical precedents of policing and discrimination manifest themselves over and over again, the very act of waking up to a world complicit in your distress can feel like a herculean task. But black people are human beings, just like everyone else.
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I have a store full of thousands and thousands of images in my brain. I've got this terrible feeling I'm like some abattoir boss: I know death; I know the cut pieces of the human body.
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There came a time when I felt I was not going to be satisfied with life unless I could write.
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I grew up in a place where everybody was a storyteller, but nobody wrote. It was that kind of Celtic, storytelling tradition: everybody would have a story at the pub or at parties, even at the clubs and raves.
