Jim Brown Quotes
I was just a big guy running down with a big, deep pocket and little short stick putting it against my chest.
Quotes to Explore
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There are really two kinds of optimism. There's the complacent, Pollyanna optimism that says, 'Don't worry - everything will be just fine,' and that allows one to just lay back and do nothing about the problems around you. Then there's what we call dynamic optimism. That's an optimism based on action.
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When I was in high school I used to sit by myself in the cafeteria - not necessarily by choice - but I thought it was funny to talk to people that weren't there.
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For the first time I go to La Scala, for each thing, for each rehearsal, my knees were shaking. But the audience was very fine with me.
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While make-up helps to enhance one's features, too much of it tends to hide a person's features.
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A good stand-up, you lead the audience. You don't kowtow to the audience. Sometimes the audience is wrong. I always think the audience is wrong.
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I can give you a six-word formula for success: Think things through - then follow through.
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Africans, we hold on to our youths and whip them into shape.
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Communism is not love. Communism is a hammer which we use to crush the enemy.
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To oppose something is to maintain it.
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We, as artists, we have the right to express ourselves. That is our first amendment, freedom of speech. But I also believe that we have an obligation to the youth to be somewhat responsible in what we say on records. But I think that comes with age. I think that comes with artists growing up and becoming assured of who they are as people.
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I have always appreciated the honest brutality of the international film world. One need never doubt one's worth in the market. Mine was zero.
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I'm lucky in some ways in that I really don't need more than five or so hours of sleep.
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I'm definitely a hair down girl. I'm a fan of the natural, earthy look.
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He is very upbeat but we hear that all the time from just about any athlete.
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In its conception the literature prize belongs to days when a writer could still be thought of as, by virtue of his or her occupation, a sage, someone with no institutional affiliations who could offer an authoritative word on our times as well as on our moral life.
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An improv team would have eight guys and one woman; that was still pretty standard. If you were a woman improviser, it was actually kind of an advantage because, if you were halfway decent, you'd get a lot more stage time.
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In the past, people worked together only when some great disaster threatened.
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There is a profound difference between information and meaning.
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I think A Midsummer Night's Dream would be terrific because of the transformations that occur. Or The Tempest, things like that. Extraordinary larger than life or supernatural element.
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In Washington, if you're a congressman or a senator or the President, you make much more money than the average American, but you'd think that if you were the leader of the free world you'd be making major bank, and you don't.
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I think of the French polymath Boris Vian (1920-1959) who burned the candles of his creative genius at every end he could light. And I think of the way Zimbabwean author Dambudzo Marechera (1952-1987) hammered with
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I couldn't date someone who didn't like dogs. There are exceptions to the rule, but I find that if someone doesn't like animals, I am a little suspicious of them.
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I loathe all this blind rushing pell-mell into a struggle arranged by the mighty minority and paid for with the lives of young men who are drugged on trumped-up ideals.
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I was just a big guy running down with a big, deep pocket and little short stick putting it against my chest.
