Jackson Pollock Quotes
He drove his kind of realism at me so hard I bounced right into nonobjective painting.
Quotes to Explore
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I look back on some of my outfits, and I'm like: 'Why did I wear that? Where are my friends and why didn't they tell me not to leave the house?' If they had, I probably would've said, 'You don't know what you're talking about. This looks amazing.'
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The Kiss scene was attempted three times. The first was in a peculiar spot of the fort on the ground level. It felt forced to me, and I knew right away that, in spite of what others were saying, it was dead wrong.
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I want the kind of career where I can move back and forth.
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I hear a lot of 'Top Model' girls say they are dismissed by clients because they recognize them, but it never happened to me.
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Every story I create, creates me. I write to create myself.
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I simply can't wear an outfit if I don't feel that is right for me.
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I feel like my kind of music is a big pot of different spices. It's a soup with all kinds of ingredients in it.
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I became kind of a drop-out in science after I came back to America. I wanted to photograph.
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Well, one always has an instinct to be a painter, and I've done quite a lot of painting at one time or another, though not with any public success.
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There are some seminal things that happened in the '70s for me: Billy Joel and Jackson 5.
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Things have always sort of happened for me. Something else always comes up.
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The types of melodies I tend to write kind of have this bittersweet quality; they're meant to be uplifting but kind of have this melancholy vibe to it.
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You will always see big, chunky bags around me. I have always been fond of bags. Bags are extremely essential because I keep my books in them.
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I've always felt very much from a mixed culture – mainly English and French, but also Nigerian, Thai, Mexican. Everything's had its influence on me.
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When you get into statistical analysis, you don't really expect to achieve fame. Or to become an Internet meme. Or be parodied by 'The Onion' - or be the subject of a cartoon in 'The New Yorker.' I guess I'm kind of an outlier there.
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By staying focused on what I intend to create, by believing that the universe is all-providing, and by knowing that I'm worthy of the unlimited beneficence of the Source of being, I just keep attracting prosperity to me.
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I took this 'how to build computers' course basically because I'm sick and tired of getting ripped off by cheesy computer companies. Software baffles me. I like hardware. I used to change my own oil, and now I want to build my own computer so I can have what I want.
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There's not a blueprint for me to follow.
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To be clear, the gap between the have gots and the have nots is widening. In this most multicultural, multiracial, multiethnic America ever, that concerns me.
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I'm a big believer in the emotion of design, and the message that's sent before somebody begins to read, before they get the rest of the information; what is the emotional response they get to the product, to the story, to the painting - whatever it is.
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Divisional exercise is a great game of make-believe.
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When Lebanon started its resistance it was a small and divided country.
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He drove his kind of realism at me so hard I bounced right into nonobjective painting.
