Maureen O'Hara Quotes
Quotes to Explore
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Once Dwight Eisenhower makes up his mind, he's full of indecision.
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People that are orthodox when they are young are in danger of being middle-aged all their lives.
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Classical quotation is the parole of literary men all over the world.
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You can't control where your heart goes.
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I have an office full of product from brands trying to be in videos and an inbox full of songs from artists, but at the end of the day if the artist doesn't support the brand or it doesn't make sense for the song, then it will never work. What we do is try to pair them up so that both sides are happy.
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It's a hard life... but if I could, I would do it all again.
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I'm the most Colombian of the Colombians, even though I've lived 47 years outside of Colombia. I've lived 13 years in New York, and I never did a painting about New York. I've lived in France more than 30 years, and I've never painted Paris.
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I designed all the characters, anyway, and Frank Doyle was doing all the writing. I didn't have any more input on what direction they were going to go with Josie.
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If I can't get a mental image from the song, I won't sing it.
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The relationship between violence and nonviolence in this country is interesting. The fact of the matter is, you know, people do respond to riots. The 1968 Housing Act was in large response to riots that broke out after Dr. Martin Luther King was killed. They cited these as an actual inspiration.
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I had a monumental idea this morning, but I didn't like it.
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When you're in the music business, everything is very personal, because you are invested in everything; there's a very deep, personal attachment to your music.
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Athletes don't like to get up early, but it never bothered me.
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You know, I have the best parents in the world and I got really, really lucky because they think that everything I do is Oscar-worthy.
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But friends invited me to a private screening of Emmanuelle and said I'd learn a few things. But I know all the swear words. I just don't use them. So I declined.
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What I love about 'Midnight Train' is that it's a song about a journey, but the music actually takes you on that journey. It feels like you're moving through the whole song.
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There is no black-and-white situation. It's all part of life. Highs, lows, middles.
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Once I started working with generative music in the 1970s, I was flirting with ideas of making a kind of endless music - not like a record that you'd put on, which would play for a while and finish.
