Maurice de Vlaminck Quotes
The war World War 1. gave me a certainty of belief. I grew aware of the bankruptcy of theories, of the theories of intellectuals as well as artists. L'art pour l'art and other grave problems no longer gave me a headache; they seemed to me so much bosh hand interested me as little as platonic love.
Quotes to Explore
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I've leased the apartment; my partner is going to come out here. But we're keeping our house in Chicago because real estate is a really good investment and also because it is just crammed with full of stuff!
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I grew up poor in India, and there were days when we struggled to find food and other basic necessities. Our mother worked odds and ends jobs to keep the family together and educate us.
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I loved Alessandra Torre's 'Black Lies.'
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We've heard from many teachers that they used episodes of Star Trek and concepts of Star Trek in their science classrooms in order to engage the students.
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I think there are ways to get so caught up in your career and being so heavy and dramatic, and everyone wants to be a tortured genius.
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When it comes to memories of that iconic type, memories that are burned into you, I have maybe ten or so from my childhood. I'm a bad rememberer of situations. I forget almost everything as soon as it happens.
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My mother didn't set out to surround us with white students or colleagues. My mother just sought a quality education. People have these expectations of who they think you should be. And I say it's because they don't really understand Malcolm X - or his wife.
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If you employ an army, have money, bombard cyberspace with misinformation, innocent people tend to buy it.
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An ordinary kitten will ask more questions than any five-year-old.
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My dad was a designer for Upper Deck, and I had hundreds of Ken Griffey Jr. cards. Hundreds. I could have paid for college with them.
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When the CEO makes a decision, people don't come back on it.
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It's really a misconception to identify the writer with the main character, given that the author creates all the characters in the book. In certain ways, I'm every character.
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Learning about factory farms and their horrendous treatment of animals is what made me become vegetarian in the first place. I also support the education of the public on adopting pets from animal shelters or saving homeless animals off the street in lieu of buying them from pet shops.
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People are intimidated in court, and I try to make them more comfortable.
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When we set out our original program from the beginning, obviously our markets were pretty limited, and we were thinking about them mostly as U.S. shows, and they would travel like other U.S. shows have.
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I have a mantra in my head that there will always be another meal. I can put my fork down, knowing there will be good things in my future!
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I never had any film training. I went to Northwestern. I studied education and theater. So it was all theater training.
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So I was always passionate about it and felt that it was sort of the golden thread inside me in terms of what I was supposed to do in terms of work but I think I have relaxed a lot in terms of the actual experience and actually enjoy it more and enjoy the people more.
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Making a big commercial movie is hard when you think about how many of them flop.
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I needed to become something besides the star everybody had built me up to be.
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The world is very disparate, in terms of the US using the most energy per person, and then the other rich countries - Europe, Japan, New Zealand - using about half of what we do, and then the world average being about a fifth of what we use, with China just now surpassing the world average.
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The fact that creative powers come from an area of the mind that seems to be independent of the conscious will, and often emerge with a good deal of emotional disturbance in their wake, provides the chief analogy between prophecy and the arts... Some people pursue wholeness and integration, others get smashed up, and fragments are rescued from the smash of an intensity that the wholeness and integration people do not reach.
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The war World War 1. gave me a certainty of belief. I grew aware of the bankruptcy of theories, of the theories of intellectuals as well as artists. L'art pour l'art and other grave problems no longer gave me a headache; they seemed to me so much bosh hand interested me as little as platonic love.
