Maurice Jarre Quotes
Nowadays, if a studio assumes that his film is bad, there is always an executive that gets more nervous than usual and thinks that if they change the music, the film will become a masterpiece.
Quotes to Explore
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I was a little girl fighting as a partisan against Nazi-Fascism.
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I really honestly can't see myself as a lawyer. It's pretty much safe to say I'll never become one.
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I'm not convinced about marriage. Divorce is so easy, and that fact that gay people are not allowed to marry takes much of the meaning out of it. Committing yourself to one person is sacred.
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Thoughts without content are empty, intuitions without concepts are blind.
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I can't understand artists that don't want to perform and, like, get on stage and do their songs for all their fans every night.
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Bigotry toward any faith community cannot have any place in civilized society anywhere in the world.
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For every reason it's not possible, there are hundreds of people who have faced the same circumstances and succeeded.
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A man will turn over half a library to make one book.
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Usually I like playing other people. I like finding myself through other characters. But when you do cabaret, you are yourself. I think it's the most fun, and I tell you, if somebody had told me that, I would have done it fifteen years earlier than I did.
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I feel like I'm not the greatest general manager in the history of general managers, but I do OK, and I'm learning as I go. I try to just do my best with it.
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Working with Jack Albertson was one of my great joys.
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Thoughts are mental energy; they're the currency that you have to attract what you desire. Learn to stop spending that currency on thoughts you don't want.
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Using official government resources to help bankroll an explicit political agenda - whether on the right or left - is flat out wrong.
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One of the most adventurous things left us is to go to bed. For no one can lay a hand on our dreams.
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I learned you can't trust the judgment of good friends.
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I have a superhero complex. If I see anything bad happen, I run towards it, rather idiotically because, after all, what could I do?
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If there are three words that need to be used more in American journalism, commentary, politics, personal life... it's the magic words 'I don't know.'
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Growing up, me and my brother, we were kind of exact opposites. We were completely yin and yang. He was more rough and tumble, and I just wanted to play with my girlfriends.
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I watched Leicester City lose in the 1969 FA Cup final with my dad and granddad when I was eight and cried all the way home. I have seen them get promoted and relegated. I played for them for eight years. I even got a group of like-minded fans and friends to stump up a few quid to salvage the club when they went into liquidation.
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I have always been attracted to apostrophe, perhaps because of its resemblance to prayer. A voice reaches out to something beyond itself that cannot answer it. I find that moving in part because it enacts what is true of all address and communication on some level - it cannot fully be heard, understood, or answered.
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Being outside is a loose theme on 'Paracosm.' Acoustic-sounding instruments have that warmth to them that is really important to communicate. It was really important for me to tell a story – my favorite records have a narrative feel.
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I am the product of hustlers who taught me how to do it. They gave me a hustler's ambition. Not a bad thing to get from your parents. But hustling only gets you so far. You have to trust yourself. And you have to be ready to fall on your face and be okay when it happens.
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I'm interested in taking raw human emotions and then isolating them without any narrative structure. In order to achieve this, I try to break out of the narrative conventions that you'd see in a typical feature film.
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Nowadays, if a studio assumes that his film is bad, there is always an executive that gets more nervous than usual and thinks that if they change the music, the film will become a masterpiece.
