Maurice Sendak Quotes
Quotes to Explore
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We use the same possessive pronouns for everything, but do we own our lives or sisters or husbands in the same way we own our shoes? Do we own any of them at all?
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I've always romanticized the late '40s and '50s - the cars, jazz, the open roads and lack of pollution. Now there are more vehicles, less hitchhikers, more billboards and power lines and stuff. People wrote wonderful long letters that took months to receive, and now everything is email.
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I don't quite have the luxury of cherry-picking - I have to see what comes my way. But I have always been picky.
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Part of the western movement is this desire that we, Americans, have to keep pressing on.
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No, I regret nothing, all I regret is having been born, dying is such a long tiresome business I always found.
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It's important to have people around you with enough confidence to say if you are not acting in a good way. Normally, when you are at the top, people say everything is fantastic. Probably in that moment it is what you want to hear, but it's best to be reminded how to act properly.
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I was involved in a bunch of school activities - I was a cheerleader, I was on the chess team, I was vice president of my class.
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I believe that political correctness can be a form of linguistic fascism, and it sends shivers down the spine of my generation who went to war against fascism.
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I don't want to be a pretty boy.
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At some point, life starts to pass you by and becomes about avoidance. I want to stay clear from that situation, because I don't like that.
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Particularly black Americans, many of them, from quotes that I have seen and conversations I've had, are sort of insulted that the civil rights movement is being hijacked - the rhetoric of the civil rights movement is being hijacked for something like same sex marriage. Black Americans tend to have a higher degree of religiosity.
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I'm sure people in the business have said: She's too old for that part. I don't hear about it because your agent protects you from those negative things.
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In designing the scenery and costumes for any of Shakespeare's plays, the first thing the artist has to settle is the best date for the drama. This should be determined by the general spirit of the play more than by any actual historical references which may occur in it.
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As long as people want to see me do this action and sci-fi stuff, it would be wrong of me to deny the fans what they want to see.
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I don't get sick much because in the U.S. I always eat with my fingers, you know, to get used to the bacteria.
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There is no female Mozart because there is no female Jack the Ripper.
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I've always seen movies in English with Spanish subtitles. For audiences around the world, the language is less important than if it's a good film.
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There is the glamour side of it, which allows you to meet great variety of people with whom you simply can have a good time, but there's also the sad side of it that drags you into a superficial and artificial world.
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It has seemed to me that the theory (calcul) of probabilities ought to serve as the basis for the study of all the sciences, and particularly of the sciences of observation.
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Werewolf is a simple game for a large group of people (seven or more.) It requires no equipment besides some bits of paper; you can play it just sitting in a circle. I’d call it a party game, except that it’s a game of accusations, lying, bluffing, second-guessing, assassination, and mob hysteria.
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Mature art, I think, emerges when there's a certain balance of tensions, when there's neither neurotic prostration nor cold rationality, but an aura of energy and a drive to grasp personal "truths" still emerging into perception. To grasp and to shape them.
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A lot of the images I use are already out there in the public or in the news. I just steal them or photograph them or repaint them, so they've already been talked about, already been consumed.
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The trains were the beating heart of the New York graffiti scene.
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You don't want to do something that's all terrifying.
