Maurice Sendak Quotes
Quotes to Explore
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I never blamed Pinochet, or my torturers, or external circumstances.
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We were both in love with him. I fell out of love with him, but he didn't.
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I cannot go to Montreal without going to Beauty's, my favorite place for breakfast, where I have the Mish-Mash omelet with hot dogs, salami, eggs, green peppers, and onions, and the best banana bread in the world. It's legendary!
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This is what people need: an easy-to-deploy, easy-to-use tool.
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In Bollywood, if you work with a superstar, even if you are a newcomer, you become a superstar. That didn't happen with me.
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I don't do fake. That's the first thing you should know about me. I'm not one to put on airs or change my demeanor depending on where I am or who I am talking to.
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I think there are ways to get so caught up in your career and being so heavy and dramatic, and everyone wants to be a tortured genius.
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I would rather have a million friends than a million dollars.
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As Governor, I've worked to solve problems the New Hampshire way - bringing together Democrats, Republicans and Independents to help hard-working Granite Staters adapt to our changing economy so that everyone has the opportunity to get ahead and stay ahead.
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I have only got down on to paper, really, three types of people: the person I think I am, the people who irritate me, and the people I'd like to be.
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I recently went to New York for the first time, and honey, I'm in love with that place. I'm obsessed with its sausages.
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There are epic downsides to living a somewhat public life. The upshot of that is there's nothing to hide. It's a relief in a way. There's nothing about me that can't be said.
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I definitely like to play characters that don't fit any kind of mold; that are slightly offbeat, because it's more fun to play.
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Sometimes you just have to jump off the cliff without knowing where you will land.
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Social conditions that spur large numbers of people into action are ignored in favor of a Hollywood version of history focusing on one conquering hero. Since a movement for social change is embodied in its leader, death of the leader means death of the movement.
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I played violin and got into that Suzuki program in the second grade.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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To hear of a thousand deaths in war is terrible, and we 'know' that it is. But as it registers on our hearts, it is not more terrible than one death fully imagined.
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Nothing is sudden in nature: whereas the slightest storms are forecasted several days in advance, the destruction of the world must have been announced several years beforehand by heat waves, by winds, by meteorites, in short, by an infinity of phenomena.
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Throughout history, it has been the inaction of those who could have acted; the indifference of those who should have known better; the silence of the voice of justice when it mattered most; that has made it possible for evil to triumph.
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The nature of Ebola is that health-care workers are predominantly affected because of the way that it is spread.
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I didn't know anything about the fashion industry until I met the stylist Simon Foxton on a Tube. I was 16, on my way to Kingsway College, and then my whole world opened up. Before that, like in every African family, you are meant to be a lawyer.
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Freedom, that he always thought was outward motion, turns out to be this inward dwindling.
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The world is twice as crazy as it's ever been.
