Peter Boyle Quotes
Quotes to Explore
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It's great when a director like Cameron Crowe can take what you do and fit it into what he's doing. If someone's a fan of you already, they can take what you do and make it work for what they're doing. You don't know their vision, and you're thinking, 'How is this guy going to take what I do and make it work in this movie?'
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Many people thought I would never succeed, because I am so Russian. So Russian, hundred percent.
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Europe believes that providing clear labelling for genetically modified food is a consumer right, but such practice is absolutely opposed by the vast majority of states in the U.S.
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Because we're able to adjust for compatibility - and what that means is we've already normalized for how well we think each person is going to get along with the other person - the only factor left in determining response rate, really, is the aesthetic appearance of the person who sent you that message.
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I'll tell you sort of an odd story: My music taste changed on 9/11. And it's very strange. I actually intellectually find this very curious. But on 9/11, I didn't like how rock music responded. And country music collectively, the way they responded, it resonated with me.
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One Direction is the main thing I'm doing and I'm 100 per cent dedicated to the group.
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The most important thing is to just be good at what you do. You do a good job playing the character, and people will be taken up with your character, not your clothes.
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Suning Appliance has no problem of financial risk. Do you think I'm risky? I'm definitely not risky.
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I'm not of the American ilk that, you know, your lover needs to be your best friend and know you inside out. I think he should know you well enough to please you. Otherwise, what secret will there be to tell him when you're ninety?
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I like different statement jewelry, especially around the ears.
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I love the ubiquitous idly-dosa combination. In fact, that was my pet name as a kid! In school, I would bug the canteen boys to get me my daily quota of idly!
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I don't mind what the role is at all; I just want to play cool characters.
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I hate the domestic life.
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I'm into menswear slacks that are comfortable.
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Ringside seats mean you hear the breaking of ribs, the splattered cartilage of what was once the boxer's nose, the dislocation of the jaw, the horrifying 'ugggh' that the boxer utters milliseconds after receiving a crushing left hook to the solar plexus or kidneys or head.
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I've always had an addictive nature.
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There is a quite a lot of effort involved but I find action sequences some of the quickest to write and the most fun.
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There's usually one piece in 'Vanity Fair' every month that grabs me, but when it presents hatchet jobs without substantiation to impress its liberal friends, I laugh first, then toss.
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We are expected to believe that anyone who objects to the Department of Homeland Security or the USA Patriot Act is a terrorist, and that the only way to preserve our freedom is to hand it over to the government for safekeeping.
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When I am home for like a two-year stretch, I get antsy, because I want to work.
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I've found in the past that the more closely I identify with the heroine, the less completely she emerges as a person. So from the first novel I've been learning techniques to distance myself from the characters so that they are not me and I don't try to protect them in ways that aren't good for the story.
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It's a tender and complicated dance, watching our parents age. We become protective in ways we never were before, and we study them with a mix of sadness and curiosity: Is this what we will be like when we are their age? We tell ourselves to be patient - just answer the same question again as if it wasn't answered a moment ago.
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The advance guard in the campaign for peace that America wages today must be the State Department.
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I like to work for a while, and then do nothing for some period.
