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A year after winning the Oscar, almost to the day, I was directing a dog food commercial.
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Comic-Con is so legendary, so a great thrill to be invited along.
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I don't want to find myself at the age of 60 waiting by the telephone for someone else to decide if I am capable of being in what might be a crummy TV production.
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Maybe it's because I've been an actor for such a long time, but I think, unless you're a big star, you don't really have much control over anything. I've never been able to make any plans.
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If I was to meet my eight-year-old self, I would say, 'Don't listen to what they say about you. Wear your anorak with pride!'
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I went to art school in the days when it was what you did if you didn't want to be like everybody else. You wanted to be strange and different, and art school encouraged that. We hated the drama students - they were guys with pipes and cardigans.
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I'm fascinated by fire. When I was four, I wore an American fireman's hat all the time, and I still have one in my office today. Glasgow used to be called 'Tinderbox City;' there were always fires, people getting killed.
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I hate restaurants that play music. You come out for a quiet meal, and you're supposed to put up with all this booming. Why? It's madness!
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It seems to me that most things that are being made are designed for young people. There aren't that many depictions of melancholic older people, even though they form a growing proportion of the population.
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Recently, I dreamed that I returned home to find my wife had married Ray Winstone. They were kind and let me stay, but the whole thing was awkward.
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The Hollywood image of the movie business is all about ambition and high achievers like James Cameron. But the British film industry is much more about men who wear cravats and work with model trains and hope another series of 'Thomas the Tank Engine' will be commissioned.
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I've had very bleak experiences in hospitals, but they were also sometimes very funny.
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When I was at school, you couldn't draw and be into football, too. If you were into art, then you were seen as an absolute pansy, and there was no way you'd be admitted to the guys' world of football.
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My parents didn't take me to the theatre to see Chekhov when I was growing up - we went to see 'Francie and Josie' once every five years.
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Everybody loves monsters.
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I know what 'Doctor Who' fans are like because I am a 'Doctor Who' fan myself. They're good people.
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I lived through a golden period where society felt that it was good to help people who didn't have a great deal of money fulfil their potential.
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I can't imagine I'll be the new George Clooney. That's not really in the cards.
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One of the problems with episodic television of any color is that everything has got to be okay at the end of the episode so it can start again next week.
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The nurses' job is emotional and distressing. Their day-to-day work is dealing with people withering and falling to pieces. So black humour is essential for them cope with that. It's just a consequence of their environment.
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The higher your profile, the more people want you.
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My childhood growing up in that part of Glasgow always sounds like some kind of sub-Catherine Cookson novel of earthy working-class immigrant life, which to some extent it was, but it wasn't really as colourful that.
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Why can't jazz musicians just leave a melody alone?
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STG and the Ramshorn Theatre are a vital part of Glasgow's rich cultural history. To abandon them now is to abandon not only our past, but our future.