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Comic-Con is so legendary, so a great thrill to be invited along.
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I was initially rather charmed by David Cameron, but I think he's revealing himself to be a slightly darker and less charismatic figure than he first appeared. There's a brutality about him.
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A little showbiz never hurt anyone.
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I don't want to find myself at the age of 60 waiting by the telephone for someone else to decide if I am capable of being in what might be a crummy TV production.
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It seems to me that most things that are being made are designed for young people. There aren't that many depictions of melancholic older people, even though they form a growing proportion of the population.
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I went to art school in the days when it was what you did if you didn't want to be like everybody else. You wanted to be strange and different, and art school encouraged that. We hated the drama students - they were guys with pipes and cardigans.
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I hate restaurants that play music. You come out for a quiet meal, and you're supposed to put up with all this booming. Why? It's madness!
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My parents didn't take me to the theatre to see Chekhov when I was growing up - we went to see 'Francie and Josie' once every five years.
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I know what 'Doctor Who' fans are like because I am a 'Doctor Who' fan myself. They're good people.
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Recently, I dreamed that I returned home to find my wife had married Ray Winstone. They were kind and let me stay, but the whole thing was awkward.
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A year after winning the Oscar, almost to the day, I was directing a dog food commercial.
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The Hollywood image of the movie business is all about ambition and high achievers like James Cameron. But the British film industry is much more about men who wear cravats and work with model trains and hope another series of 'Thomas the Tank Engine' will be commissioned.
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I can't imagine I'll be the new George Clooney. That's not really in the cards.
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I'm fascinated by fire. When I was four, I wore an American fireman's hat all the time, and I still have one in my office today. Glasgow used to be called 'Tinderbox City;' there were always fires, people getting killed.
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Everybody loves monsters.
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I've had very bleak experiences in hospitals, but they were also sometimes very funny.
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One of the problems with episodic television of any color is that everything has got to be okay at the end of the episode so it can start again next week.
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When I was at school, you couldn't draw and be into football, too. If you were into art, then you were seen as an absolute pansy, and there was no way you'd be admitted to the guys' world of football.
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The higher your profile, the more people want you.
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I lived through a golden period where society felt that it was good to help people who didn't have a great deal of money fulfil their potential.
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My childhood growing up in that part of Glasgow always sounds like some kind of sub-Catherine Cookson novel of earthy working-class immigrant life, which to some extent it was, but it wasn't really as colourful that.
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Why can't jazz musicians just leave a melody alone?
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I was always admiring people who seemed to conduct themselves with ease in the world. Maybe that's a great gift to give your kids if you can do that. Because they can move through the world without neurosis, this anxiety about everything, which our own parents gave us.
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I'm not terribly well read. My wife forces books into my hands and insists I read them, which I'm grateful to her for. She made me read 'War and Peace.' The whole thing. It was amazing, but I had to hide it. You can't walk round reading 'War and Peace' - it's like you're in a comedy sketch and you think you're smart.