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We rarely know what motivates somebody in their work, and it's usually a particular moment in their life. For me, that moment is my brother's incarceration and the ways in which this country has decided to neglect, abuse, and sometimes torture people with severe mental illness, especially if they're black.
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'The Story of Us with Morgan Freeman' is a reminder that people across the world are rebelling against norms and forging new paths for the most marginalized people in their own communities.
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Black women voted against Roy Moore not because they necessarily wanted the other guy; they voted against Roy Moore because they knew that would be better for the people of Alabama and, to be frank, better for the rest of the country.
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Through Black Lives Matter and social media, we've been able to have a really challenging discussion with America about police and how much it is investing in policing.
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We need to fight for a new human rights movement that recognizes and values black life.
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In order to reverse the maternal health crisis for black women in the U.S., we need concrete policies from our leaders and better protocols from hospitals.
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I fight to prioritize black mothers and black children because we deserve to live in a world where our healing is centered and our lives are treated with dignity, respect, and care.
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Individuals are complex and deserve to be recognized as such.
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What was most important, for me, is that I could share what I experience as a young person - in particular, what impact incarceration and policing had on my life and my family's life.
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Black women's lives have never been shown any value in America.
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Our communities must demand dignified housing, satisfying jobs, and proper labor conditions; our educational system must be culturally relevant, multi-lingual, and teach our histories. Our value should not be determined by legal records.
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I've been in movement work since I was 16 years old. Black Lives Matter becomes an important part of the story, but it's not the only part of the story.
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In 'When They Call You a Terrorist,' I reflect on my time growing up in Van Nuys, California, surrounded by my devoted family and supportive friends, weaving our experiences into the larger picture of how predominantly marginalized neighborhoods are under constant systemic attack.
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When I was growing up, my family was plagued by poverty. My mother, a single parent, worked around the clock to make sure her children - me, my five brothers, and three sisters - could eat and have a safe place to sleep. We hardly saw her.
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I knew marriage was not the answer to changing the conditions for poor, black, queer folks. So I never felt compelled to get married - it just didn't seem important. But even if marriage wasn't right for me at the time, or a quick fix toward black empowerment, I found it repulsive that loving same-sex couples were refused the right.
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I have never felt the grips of patriarchy and its need to erase black women and our labor... so strongly until the creation of Black Lives Matter.
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I think part of what we're seeing in the rise of white nationalism is their response to Black Lives Matter, is their response to an ever-increasing fight for equal rights, for civil rights, and for human rights.
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The unfortunate reality is the alt-right has captured white people's imagination.
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I think what's so powerful about Black Lives Matter is we're the first movement able to take on law enforcement and make it a popular discussion.
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We have to look at queerness as a means towards challenging normativity.
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The brutal history of colonialism is one in which white people literally stole land and people for their own gain and material wealth.
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Trump is literally the epitome of evil, all the evils of this country - be it racism, capitalism, sexism, homophobia.
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I developed 'Power: From the Mouths of the Occupied' while I was an Artist in Residence at Kalamazoo College.
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When folks say 'identity politics' don't matter, it simply reinforces the norm of a white, middle-class, cis narrative and further marginalizes the rest of us who don't share that identity.