James Edward Olliges Jr. Quotes
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There's so much chaos and trouble in the world right now, and we need to broadcast as much peace and love, too.
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Preservation Hall is the sound of joy. When they start playing, people start moving.
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It's hard to say what an album is about - because each one is usually about a lot of things to me, but then I hope it also can mean a lot of different things to someone else. That's the beautiful thing about music.
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I've always loved that, on all the Dylan and Springsteen and Marley and Neil Young reissues that they've done: It's so cool to hear alternate versions and how the song started in their mind.
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After I wake up, I always meditate.
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I really believe what people have said before, that God is love. For me, it's music. For you, it might be writing, or for somebody else, it might be soccer or whatever.
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We wanted 'At Dawn' to be what it was: kinda spaced-out.
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Almost every time I go to the ocean, I think about throwing my phone right into it. Sometimes, you pull that thing out of your pocket, you look at it, and you're like, 'What was I just going to do with this? Was I going to take a note? Was I going to check my email? Was I going to take a picture?'
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I always think of albums as the format. I think it's perfect. I don't think you can tamper with that. It's not just sound, the analog, which is so much richer. It's the format. You're constrained by just 45 minutes, and it's perfect to me. I don't want to listen to any more than, and I live and breathe music.
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For me, it's more powerful to hear people sing about God than love in most circumstances because I've been hearing people sing about love for most of my life.
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I was always kind of against streaming, but I've been traveling so much, and I usually carry a huge hard drive of digital music with me, but I haven't had time to deal with it, so I've been doing streaming. And I had this incredible breakthrough of weightlessness where I've really been loving streaming music.
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Big religion was started with one goal in mind: to make money. And I'm not knocking anyone's faith, because I think there are a lot of good values to be found in any faith. But when any faith starts to get in the way of love, that's where you can tell that greed and fear have stepped in and that those things come from man.
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Whenever we come back from another project, we're always so stoked to see each other and play with each other again. I really feel like that's been the key to why we're still together as a band. I remember a period five or six years ago feeling a little burnt out and wasn't sure whether I wanted to keep doing it.
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I think we're going to look back on the Internet in 50 to 100 years as a big mistake.
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When I make a record with My Morning Jacket, I love what those guys do, so I don't have a need to play bass or drums or anything, because we're doing that as a unit.
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'What's Going On' is one of the greatest albums ever made. I definitely wasn't aiming to make my 'What's Going On,' you know what I mean? That album is definitely deep in my DNA. I've probably listened to that more than maybe any other album ever in my entire life.
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I guess people have a hard time dealing with humour in music. But sometimes life is depressing, and sometimes life is fun, is about just laughing with your friends, and I wanted to express that as well as the darker stuff.
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'It Still Moves' is really the only record in our catalog that I've always felt I wanted to remix. Part of the fun of that record was that we recorded it all to tape, and it was all super-duper organic.
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Pilates is amazing. It makes you conscious of how you have been doing something incorrectly for so long, even something as simple as just standing there.
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I've got a studio at home, and I'm always recording.
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That's the bulk of my lyrical output - being confused and trying to find answers to my confusion.
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Somebody brought up the idea of reissuing 'Tribute To 1' because it was out of print on vinyl.
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I'm grateful to be successful, and I'm grateful that we can make a living, and I hope we can maintain our integrity forever. That's really my only dream. The notion of bigness or smallness, I feel like that comes and goes in such waves that are kind of out of my control.
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I'll only pick up my guitar if something is knocking on the door. Once the melodies have sort of been bothering me for a time, then I pick up my guitar and try to find them. But only if they want to be found.