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I always think of albums as the format. I think it's perfect. I don't think you can tamper with that. It's not just sound, the analog, which is so much richer. It's the format. You're constrained by just 45 minutes, and it's perfect to me. I don't want to listen to any more than, and I live and breathe music.
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I just think bad vibes and hate and Trump are getting so much airtime, we need to speak out loud for peace and equality and fairness and make sure we all know that there are a lot of us out here in the world that just want love.
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Big religion was started with one goal in mind: to make money. And I'm not knocking anyone's faith, because I think there are a lot of good values to be found in any faith. But when any faith starts to get in the way of love, that's where you can tell that greed and fear have stepped in and that those things come from man.
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It's hard to say what an album is about - because each one is usually about a lot of things to me, but then I hope it also can mean a lot of different things to someone else. That's the beautiful thing about music.
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The thing I take great comfort in and what I think is cool about the process is that I know in my heart that I gave it everything I had back then. That helps me sleep at night. I still feel proud and happy.
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I think we're going to look back on the Internet in 50 to 100 years as a big mistake.
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Sometimes, I want to make a record that's so schizophrenic and so all over the place, and then other times, I want to make a record that's very coherent and very short and together.
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Preservation Hall is the sound of joy. When they start playing, people start moving.
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We wanted 'At Dawn' to be what it was: kinda spaced-out.
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When I make a record with My Morning Jacket, I love what those guys do, so I don't have a need to play bass or drums or anything, because we're doing that as a unit.
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I've always loved that, on all the Dylan and Springsteen and Marley and Neil Young reissues that they've done: It's so cool to hear alternate versions and how the song started in their mind.
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I feel like the world gets so consumed and gobbled up by action, and the pace of life is so frantic, and people feel like, in order to move somebody, you have to do something shocking or violent or something insane and fast.
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Somebody brought up the idea of reissuing 'Tribute To 1' because it was out of print on vinyl.
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I was talking to my publisher, Jamie Ceretta, who's one of my closest confidants and allies when I'm working on new music. I feel like I can always count on his judgement because he'll tell me if he doesn't like something. It's sometimes hard to get people to tell you if they don't like something.
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I guess people have a hard time dealing with humour in music. But sometimes life is depressing, and sometimes life is fun, is about just laughing with your friends, and I wanted to express that as well as the darker stuff.
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I'm grateful to be successful, and I'm grateful that we can make a living, and I hope we can maintain our integrity forever. That's really my only dream. The notion of bigness or smallness, I feel like that comes and goes in such waves that are kind of out of my control.
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I listened to 'En la Ceremony' and had always wished it had some flamenco guitar.
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For me, it's more powerful to hear people sing about God than love in most circumstances because I've been hearing people sing about love for most of my life.
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I've got a studio at home, and I'm always recording.
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That's the bulk of my lyrical output - being confused and trying to find answers to my confusion.
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There's so much chaos and trouble in the world right now, and we need to broadcast as much peace and love, too.
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The whole Jacket thing is so much about us playing together and creating this circle of power.
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I'll only pick up my guitar if something is knocking on the door. Once the melodies have sort of been bothering me for a time, then I pick up my guitar and try to find them. But only if they want to be found.
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I went to college for, like, a year and a half with the intention of doing some kind of art therapy or some kind of teaching of art, because I feel like art is a more free area in school than music is. I feel like music is too mathematic for me. Music school's so hard. It's math.