Jim Lee Quotes
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A-list stars go to Comic-Con to woo the nerd demographic.
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From 'The Sandman' and 'Black Orchid' to 'Whatever Happened to the Caped Crusader?,' Neil Gaiman has provided some of the most memorable stories of the comic book industry.
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Superman tends to stand very upright, and he's very symmetrical, and those are actually the most difficult poses for me to draw.
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'The Dark Knight,' 'The Rocketeer' and definitely the first 'Superman' movie by Richard Donner are the best. I tend to be softer in my judgment about what's a bad movie - I don't think anyone intends to make a bad movie, and sometimes it just doesn't click for some reason.
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'The Authority,' by Warren Ellis and Bryan Hitch, really pioneered the widescreen, action-packed style of storytelling.
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Jerry Robinson illustrated some of the defining images of pop culture's greatest icons. As an artist myself, it's impossible not to feel humbled by his body of work. Everyone who loves comics owes Jerry a debt of gratitude for the rich legacy that he leaves behind.
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Creating and producing creative work, to me, those are all happy accidents.
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As a gamer, I like to go up and look at people's faces and see how good of a job they did.
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There's an obvious marketing component to doing something digitally where you're reaching out to new readers that you can't do in the existing print marketplace, or that it's difficult to do in the existing print marketplace.
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If you look at the great superheroes in any universe, you will always find that they have the very best super villains opposing them. It's because they are foils; they are people that the heroes play off of.
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One of the key characteristics of the comic book medium is that it is not brought to life by just one voice.
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I think when you're knee-deep in coming up with editorial plans, the desire to sit down and pencil something is pretty strong.
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So much of comics are dictated by characters talking to one another - or in focused spaces where 'the camera' has to stay in pretty close on what's going on.
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There are a lot of global decisions that you can make as a co-publisher, and only publishers can make those kind of decisions. At the same time, there are some things you can do only as a penciler or creator. I want to keep my hands in both pots, so to speak.
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From an artist's point of view, I always want to work with the writers I admire.
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What I love about WonderCon is that, while the focus is on the comics, it's also a celebration of games and movies and all the ancillary media.
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I like having pairs of characters to play off each other. I love drawing Batman, but he's more fun with Robin. Batman charges ahead, Robin jumps off the walls. It's fun showing that contrast.
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When you have a Green Lantern mixing with a foil like Batman, you get scenes that are comic-book history. There's the epicness of it all.
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The great thing about having digital comics is that it is like having a comic-book shop on your digital device. It has turned comics from a destination buy to an impulse buy.
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Gene Colan was like no other artist of his generation. His ability to create dramatic, multi-valued tonal illustrations using straight India ink and board was unparalleled.
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I certainly wouldn't buy a DVD series of a hit show and start at Season 7. I would want to go back and start from the beginning.
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Wonder Woman is a lot of fun to draw.
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There was something special and unique about the love triangle that existed between Clark Kent, Superman and Lois Lane.
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The way you challenge Superman is by having things happen very, very quickly in different places and then asking, 'Who does he save first? What powers must he use to save each person or stop each disaster?' That's one of the ways you make him interesting beyond the thematic and moral issues that make Superman.