Jim Sturgess Quotes
After 'The Way Back,' which was so epic and so rich, it was like, 'What will I do now?'
Quotes to Explore
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I was tested against the best.
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In France and other European countries, film stars are more celebrated. In Germany, if we are good at what we do, we are respected but not acclaimed. And, of course, we are not paid like Americans are.
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I did anything that would get me on the air.
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A single lie destroys a whole reputation of integrity.
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People want to get to know you. I don't think America got a chance to know me in that short time.
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Obviously I will promote 'Vaalu.' It is my film. I am the lead actress in it; I play a major part, and I will promote the film.
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I was 19, and I thought I should settle down and get a real job, and what was I doing living this dream world?
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Women who have abortions are people you know. Because that is the truth! One in three American women will have an abortion by menopause.
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'Rent' was my first professional job, ever.
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I'm a rock and roll singer.
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At 86, I can easily look back to the last eight decades. Though memory often fails me now, so many images of the past are still clearly polished, and I can yet recall not just an abiding sense of place, but the keen smells, the sensory responses to the events of that past.
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The opera tells the story with all the built-in contradictions and from many different angles.
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I never think I have to prove something.
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Finding out I was pretty was a very nice realisation.
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If something is successful with the audience, it's automatically suspect; the reverse is to say that not to reach audiences is the greatest compliment an artist can receive!
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If you think something is impossible, then it certainly is... for you.
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I've seen a lot of great players that couldn't get to the top because of horses, and I've seen a lot of normal players that got higher and higher because of horses.
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Many Tibetans sacrifice their lives.
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I am a huge, huge Regina Spektor fan.
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I enjoy albums, not a song here and there. The recordings I like have been a soundtrack to a universe.
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In my research, I learned that the way these twenties pieces are constructed, in one garment, can be very simple, and in others they can be very complicated. That's what made an elusive fit that we can't always get these days. Knowing this, I would like to share some of these secrets and use them in a collection.
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So there is a personal sense of style for a given work - I don't like a general style, but every work has its own style, and I want to create a style for every work.
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After 'The Way Back,' which was so epic and so rich, it was like, 'What will I do now?'
