Jim Sullivan Quotes
Quotes to Explore
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I've never said I was a chef - I think I make great food. I will never open a restaurant to do, like, tasting courses.
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With Lille, we could have gone to the South of France, and people wouldn't have recognised us. But at Chelsea, the players are at another level. Everything has changed – the language, the country – but it is up to me to adapt.
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I was never offended that people underestimated me because of my appearance or that they thought I was pretty and discouraged me from fighting because they didn't want me to risk hurting my looks.
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It's one of the greatest festivals in the world. New Orleans Jazz and Heritage Fest is the best all-around... It's an honor to be closing it.
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You can have religion with spirituality. You can also have religion without spirituality.
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I shop at a lot of vintage stores because the prices are amazing, and I love the idea that there's a history behind the piece I'm wearing.
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As a viewer, the minute I start getting confused, I check out of the movie. Emotionally, I'm severed.
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I grew up in a hippie commune so I have a real hippie part of me.
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I never really wanted to be an actor. And that was the beginning of it, I began to write things down and eventually became a writer on a television show.
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I'd rather be dealt with as a person than a persona.
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Find your own style. Don't spend your savings trying to be someone else. You're not more important, smarter, or prettier because you wear a designer dress.
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Smell is a very animal thing, almost reptilian, where the more cerebral things like reading less so.
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If you realize too acutely how valuable time is, you are too paralyzed to do anything.
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I am a collaborator with everyone who agrees that I need to be in control. I happily collaborate with my loyalists.
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I literally in the New York flea market - just when I was despairing of ever having a great serendipitous find - found a 1926 Chanel.
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The South is brutalized to a degree not realized by its own inhabitants, and the very foundation of government, law and order, are imperilled.
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The core of the person is what he or she loves, and that is bound up with what they worship - that insight recalibrates the radar for cultural analysis. The rituals and practices that form our loves spill out well beyond the sanctuary. Many secular liturgies are trying to get us to love some other kingdom and some other gods.
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We are ready for any unforeseen event that may or may not occur.
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This book is pointing the way into it for people that see it as daunting or a mystery. Some people just do it, but others need help with the mindset, permission almost to listen to themselves. Understanding how things work is the key.
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Whenever you get a large body of work like 'Humans of New York,' a natural pathway becomes to put it between two covers. I wanted this to be a very nice keepsake. A lot of work went into it, and a lot of fans are attached to it.
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You should not actually stay in bed for very long awake, because your brain is this remarkably associative device, and it quickly learns that the bed is about being awake. So you should go to another room - a room that's dim. Just read a book - no screens, no phones - and, only when you're sleepy, return to the bed.
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Lastly, there are Idols which have immigrated into men's minds from the various dogmas of philosophies, and also from wrong laws of demonstration. These I call Idols of the Theater, because in my judgment all the received systems are but so many stage plays, representing worlds of their own creation after an unreal and scenic fashion.
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I would never lie to anyone about history.
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A musician can get lost to what he is in the session busines as it was.
