James Michael Aloysius Bradford (Jimmy Nail) Quotes
I couldn't make sense of things. But then I began the process of civilising myself and trying to become a decent human being. I'm still working on it.
Quotes to Explore
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Graffiti has an interesting relationship to the broader world of hip-hop: It's part of the culture, but also in a weird way a stepchild of the culture.
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I enjoy all kinds of performances and take each role differently. I keep the audiences in mind.
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SuperMemo is based on the insight that there is an ideal moment to practice what you've learned. Practice too soon and you waste your time. Practice too late and you've forgotten the material and have to relearn it. The right time to practice is just at the moment you're about to forget.
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I'm very proud of my Nigerian heritage. I wasn't fortunate enough to be raised in a heavy Nigerian environment, because my parents were always working. My father was with D.C. Cabs and my mother worked in fast food and was a nurse.
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I don't really feel like I have to have a debate with my husband over issues.
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I enjoyed working as a model a lot as it let me travel and I got to do some really interesting projects.
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To read without reflecting is like eating without digesting.
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Team members need to learn to leverage one another, and that doesn't happen over a golf game or on a phone. It happens by getting together and taking the time to know each other.
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I was an easygoing guy, and school was pretty much people trying to challenge me to a fight, y'know, saying, 'Rambo! Rocky!'
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Breaking the world record in '92 was a very special personal moment, but I'd say my favorite moment as a decathlete was winning the Olympic gold medal. It was a lot of years of work, and when I won it, it was more a sense of relief than jubilation or exaltation.
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With 'Mad Men,' people who grew up or were living in that time, they love to talk about what it was really like.
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I'm obviously really opinionated, but as a producer, you don't necessarily want the person you're working with to try to impress you - you want them to just be themselves. Then you can edit or mess around with what they've come up with. But you have to allow the artist that space.
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Personally, I am not so affected by my environment. What I build in the creative process is not necessarily connected to what I am physically in contact with. I am always observing everything, but it will not necessarily have a direct impact on what I do.
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The first time I worked with colors was by making these mosaics of Pantone swatches. They end up being very large pictures, and I photographed with a very large camera - an 8x10 camera. So you can see the surface of every single swatch - like in this picture of Chuck Close. And you have to walk very far to be able to see it.
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One of the things I'm really good at is procrastinating.
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Everyone comes with dreams and illusions and promises. Everyone wants quick deals. They don't want to invest.
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At 12, turned 13, made a movie with Sex Pistols and The Clash. Learned about a lot of things I never knew and hope will never know again. Don't know how my parents let me do that.
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To destroy is always the first step in any creation.
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I was raised in a small town in Indiana and educated at Ball State University.
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The original of this track come out on Drumcode in June. This version, however, is more hypnotic that the original. This is why I decided to include it as an extra track on the album.
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I used to take my car and go down to the South Island for five or six days and climb glaciers and jump out of planes and jump off bridges and go white water rafting - a bit of thrill-seeking.
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I've always felt a certain guilt to have them labeled as 'Christina's sisters' or, 'That's Christina's mom' but them looking for the respect to be named Elizabeth and Danielle and Carmen.
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I couldn't make sense of things. But then I began the process of civilising myself and trying to become a decent human being. I'm still working on it.
