Larry Merchant Quotes
Quotes to Explore
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Working on camera, your face is your career. But I'm not really one to buy into the pressures. At the end of the day, the job I do, it's more about the art and craft of it. If you're good at what you do, there's a place for you in the industry, no matter what you or your skin look like.
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The British have always made terrible parents.
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Clients don't expect perfection from the service providers they hire, but they do expect honesty and transparency. There is no better way to demonstrate this than by acknowledging when a mistake has been made and humbly apologizing for it.
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I prepare myself to fight; I prepare myself for myself.
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All the great artists had their dark sides. Look at Amy Winehouse or anyone who has achieved a certain level of success. Even Adele, and the people that you wouldn't put in the same category as a gangster rapper. These women have exposed their vulnerabilities, demons, and things that have hurt them.
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On Tumblr, I'm really careful about not following too many things. I enjoy going on there to discover new things more than anywhere else now.
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I wanted to write a happy song. I didn't know how.
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I'm no producer's kid.
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I saw an interview that I did with someone, and I was horrified by it. And I said to my wife, 'This is unbearable how I talk.'
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Being a decathlete is like having ten girlfriends. You have to love them all, and you can't afford losing one.
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When I was a kid and putting out my first records, there was a lot made out of the fact that the '50s/'60s generation was so dominant.
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Running for attorney general troubled me. Because I was worried I would simply become just a figurehead and that's not me.
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We don't take anything when we pass away, and we need to do with the sense of responsibility.
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Long-, medium- and short-grain rices differ in the amount and type of starch they have.
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A lot of the music I write is about love. Sometimes I won't understand how I am feeling until I write a song about it.
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And on election night I'd go down to city hall in El Paso, Texas and cover the election. In those days, of course, we didn't have exit polls. You didn't know who had won the election until they actually counted the votes. I thought that was exciting too.
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The release of 'Lungs' was so hard. It was terrifying, because it was the first time doing everything. The first experiences of media exposure were almost paralysing. I spent a lot of time crying on the floor of the studio – it sent me a bit mad.
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The relationships we have with people are extremely important to success on and off the job.
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Most English writers are not interested in change but in the social novel. That demands a static backdrop. I'm intensely interested in change - probably as a matter of self-preservation. What the hell is going to happen next?
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Sometimes you'll see people give performances in comedy with an ironic detachment where they'll sort of be remarking on the character from outside of it. They're sort of commenting as they're playing the character. I think it's hard not to do that. I've certainly done that.
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Our religious police has the most dangerous effect on society - the segregation of genders, putting the wrong ideas in the heads of men and women, producing psychological diseases that never existed in our country before, like fanatacism.
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There are dodgy characters in Bitcoin. But there are dodgy characters in cash, too.
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You can get beat any day.
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Just because you BEAT Michael Jordan doesn't mean you BECOME Michael Jordan.
