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As soon as I can afford a studio space, I'll paint again.
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That's not so important to me, that time thing.
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Yeah, I don't deal with current events or pop culture, and I avoid politics like the plague.
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I don't want to wait more than a year and a half or two years between books.
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People are essentially red meat. They are.
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The second we see somebody on the street or meet someone, we make snap judgments about them, about who they are and why we wouldn't necessarily sit with them or why we would or what's cool or not cool.
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What really grabs me about living in Tucson is the color beige.
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Well, I am a lot like my dad, and the character of Ted is based on my dad.
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I'm just trying to portray what I find ironic or humorous.
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I am too old for an eyebrow piercing but too young for an eyebrow lift.
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I was doing illustration work, and the cartooning slowly took over.
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Milkmen seem so wholesome, and there's no way anybody can be that wholesome.
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It's just something that's sort of funny, sort of not.
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But if I'm going to cause somebody else discomfort by my actions, then I should probably modify my actions toward them to make them as comfortable as possible.
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People get really caught up in their own trips.
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People are going to behave however the social norms permit, and beyond that.
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I hope to actually get back to painting someday... soon. I sort of transitioned into cartooning from painting.
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I just don't want anyone messing around with my pure smoking pleasure.
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We all have our pet things that we like to get religious about.
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I just thought I'd take a break from publishing for a while.
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I wanted to be a painter.
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I grew up in a military family, and there's something about that military-style uniform, all cleaned up, a brutal control effort the military necessarily breeds.
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We live in a society that blames everybody else for what's wrong.
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Now interpersonal politics... that's what it's all about.