Max Ernst Quotes
Quote from 'Max Ernst', exhibition catalogue, Galerie Stangl, Munich, 1967, U.S., pp.6-7, as cited in Edward Quinn, Max Ernst. 1984, Poligrafa, Barcelona. p. 12
Quotes to Explore
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Everyone wants a hand in the outcome, a piece of the knowledge.
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My dad was a voracious news consumer. I remember just sitting with my family all the time. I would sit on his lap and read the paper with him. He would read it to me.
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I don't know about whether I thought I would make it this big.
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We begin to see, therefore, the importance of selecting our environment with the greatest of care, because environment is the mental feeding ground out of which the food that goes into our minds is extracted.
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I like to work out. I work out hard when I get to it, but it's so sporadic, I'm not sure it counts at all! I eat pretty much anything, but I eat high-quality food. There was never a packet of chips or box of candy in my house when I was growing up. Ever.
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I don't like family stories forcefully mixed with commercial elements.
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I feel like I've forcefully been thrust into the tech world, and I've enjoyed every minute of it.
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I ain't no Kennedy, I ain't no Diddy Combs, I ain't no Jay Z, I ain't got it like them.
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Religion is not only a part of education, an element of humanity, but the center of everything else, always the first and the ultimate, the absolutely original.
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But on those occasions when I do strongly disagree with the Democrats and I don't say anything, I think I forfeit my right to have people pay attention to me when I say the things that I don't like about what Republicans are saying.
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I was one of those annoying kids that loves singing and entertaining.
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As a child I sometimes used to travel to the West Bank to visit my family, so I know what the checkpoints felt like. I knew what it was like to live under occupation.
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The more and more I got into writing, the harder and harder it became for me. I still love it, but it became much more problematic than I thought it would be.
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Now painting is different. It's something recollected in tranquility.
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I would have tested the furniture if they'd asked me.
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My history teacher could make us feel like he was imparting rare gossip to us when he was talking about Maria Theresa and the Habsburgs. I just loved that sense of - the Western canon is here, and it's gossipy and tawdry, and everyone is sort of goofy.
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There's one more terrifying fact about old people: I'm going to be one soon.
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I was shy. Bookish. The kind of 13-year-old girl who, instead of having a boyfriend, would have a crush on a dead, 19th-century author!
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I'm wired differently.
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And though this world with devils filled, Should threaten to undo us, We will not fear, for God hath willed His truth to triumph through us.
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I can't write a scene unless I've visualized it. Unless I can actually see it, and that's why a lot of reviewers have said my books are very cinematic, because I actually do see them before I write them.
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What it talks about is stuff that I've gone through, like, in the past year, which is, you know, a lot, and some of it's good, and some of it's bad, and a lot of it's, like, a big learning experience. And I got to write a lot about that with people that I've worked with before, so I felt completely comfortable.
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Quote from 'Max Ernst', exhibition catalogue, Galerie Stangl, Munich, 1967, U.S., pp.6-7, as cited in Edward Quinn, Max Ernst. 1984, Poligrafa, Barcelona. p. 12
