Bryce Dessner Quotes
For a composer of concert music, 40 is actually very young. But for a rock musician, 40 is almost past due, where you think of rock music as really part of more youth-oriented culture.
Quotes to Explore
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The yogi offers his labyrinthine human longings to a monotheistic bonfire dedicated to the unparalleled God. This is indeed the true yogic fire ceremony, in which all past and present desires are fuel consumed by love divine.
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I've always written songs that were confessional, acoustic, wordy - my writing style matches my personality. The music always has to match the mouth it comes out of.
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I started to write a lot of ballads that were sultry and had a Norah Jones-for-country kind of feel. I wanted to bring elements of old soul music and old country music.
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I actually spend very little time listening to any new music.
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When I grew up, the thing boys would do during the summer is work tobacco because it was a cheap product back then. I didn't want to do that. From an early, early, early age, I was like, 'I like music. This performing thing comes easy.' And perhaps that's how I ended up doing what I'm doing today. Being a musician.
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Young kids should be doing music that has shock value. They'll grow out of it.
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London is the financial capital of Europe, a great platform to America and Asia. I love the fact that in British culture you can be whoever you want, and people don't even look at you. I don't feel that in Paris or Milan.
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I think I need to accept the fact that I am where I am today because fans have shared my music illegally and legally, but I wouldn't be here today without the Internet, so I can't speak out against it.
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I think what made it difficult for people to get, and still makes it difficult for people to get, is the theatrical nature of the work and the fact that, my music doesn't exist without the performance-art element.
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I was bringing the whole music, hip-hop, art, break dancing and urban cultural thing to the downtown table.
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Today, music is great for entertainment, but it is lacking soul; it's lacking substance, and it's difficult to find good stuff. There are too many corporate interests. It's not about the actual music because it's about the corporation, and music just becomes part of a package.
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The opera is to music what a bawdy house is to a cathedral.
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My music is a little dark, and my lyrics are a little darker. Every day, I'm fighting towards the light.
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I taught a master class in film in France, and that was a great experience because I got a chance to study the French film culture and the French film history, so to add... just to expand myself just personally and professionally was really helpful.
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But I know somebody who has a bedside urinal. How do I compete with that?
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Al Jazeera should understand the societies, should understand the culture of the civilisation, should understand the dynamics of the societies, should be part of this understanding; and on the other level, Al Jazeera should concentrate on the margin rather than the centre. It means that Al Jazeera should be close to the public.
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Music is what our feelings sound like.
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Maybe in music you're making an auditory environment and maybe you change your environment around you to suit your own way.
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For me there are two types of country: There's the shoot-yourself-in-the-head country, and then there's really good country music.
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I think you just have to be yourself instead of catering your sound to a specific audience, make the music you want to make, and the audience will find you.
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To be seventy years young is sometimes far more cheerful and hopeful than to be forty years old.
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I try to work on all aspects of my game, whether it be run, pass. I think you can never stop growing, and I definitely take that mindset. You've just got to keep on grinding.
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For a composer of concert music, 40 is actually very young. But for a rock musician, 40 is almost past due, where you think of rock music as really part of more youth-oriented culture.
