Patti Smith Quotes
- All Quotes
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If you feel good about who you are inside, it will radiate.
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Hopefully if you create something fine, people will relate to it, so you're communicating with people, and you're not in a void. On the other hand, because you're always creating and transforming, art always separates you - always.
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Robert Mapplethorpe, I met in 1967. He was a student at Pratt, though even as a student a fully formed artist. We went through many things in our life together. He became my loved one, then my best friend.
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When I was young, all I wanted was to write books and be an artist.
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First of all, anybody who has lasted 30 and went through the 60's is really a survivor.
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I have a daughter who's 11 years old. Maybe she'll grow up independent and really really heavy and become a movie star and she'll play me in my life story.
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Jesus died for somebody's sins but not mine.
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My parents were very humanistic, but where we lived was not the cultural center of the world. Hardly. So I came to New York for two reasons: to find my own kin and also to get a job. And that's what I came to New York for in '67.
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I was never a singer; I can't play any instruments; I had no training. Plus, I was brought up in a time when all the great rock stars were male. I didn't have any template for what I was doing. I did what I did out of frustration and concern.
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I always wanted to be an artist, writer and poet since I was seven, and one has to live long enough to evolve as an artist and do one's finest work.
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Good news doesn't necessarily have to be a positive thing. Bringing good news is imparting hope to one's fellow man.
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I don't think the area of Jerusalem should be part of a Jewish state; it belongs to all people, to Christians and Muslims and the Jewish people.
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If I have any regrets, I could say that I'm sorry I wasn't a better writer or a better singer.
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My son and daughter lost their father quite young, so we keep him present with us. It's just a daily practice.
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There is hardly a place in New York that you can't walk a block and a half and get a cup of coffee. Believe me, I've been all over the world. There's no place like that but New York City.
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My dad got a job in a factory in Philadelphia, so I was raised in Germantown in a sort of a barracks for soldiers. They had housing for temporary housing. And then my parents saved money and bought a little house in South Jersey, built on a swamp.
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I never felt oppressed because of my gender. When I'm writing a poem or drawing, I'm not a female; I'm an artist.
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I remember when the Bic pen was controversial. They came from France. They were cheap, and when one was out of ink, you threw it away; you didn't dip it into more ink.
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The reason we did 'Land of a Thousand Dances' and 'Gloria' on 'Horses' was because I liked repetitious, three-chord rock songs, but I didn't understand that I could write my own. I didn't realize that you could use those chords a million times.
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From very early on in my childhood - four, five years old - I felt alien to the human race. I felt very comfortable with thinking I was from another planet, because I felt disconnected - I was very tall and skinny, and I didn't look like anybody else, I didn't even look like any member of my family.
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When I did 'Horses,' I never expected to make another album.
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I'm not a very analytical person.
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I'm a human being, I'm a friend, I'm a mom, I'm a writer, and I'm an artist. I do play electric guitar and all of that, but in the end, I'm just a person.
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The idea of redemption is always good news, even if it means sacrifice or some difficult times.