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People called me the godmother of punk, but I never name myself anything.
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Everyone has a creative impulse, and has the right to create, and should.
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Of course, every artist has 'minor works' that they do, but I don't think I have any 'minor disciplines.' Each discipline I approach as a major undertaking that I put my whole self into.
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Those who have suffered understand suffering and therefore extend their hand.
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For everything bad, there's a million really exciting things, whether it's someone puts out a really great book, there's a new movie, there's a new detective, the sky is unbelievably golden, or you have the best cup of coffee you ever had in your life.
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My daughter is one of my greatest inspirations. She's an environmentalist, she plays piano, she's raising money for the earthquake victims in Nepal. Every day she surprises me and teaches me something.
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The moment of creative impulse is what an artist gives you. You look at a Pollock, and it can't give you the tools to do a painting like that yourself, but in doing the work, Pollock shares with you the moment of creative impulse that drove him to do that work.
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I personally am not interested in people trying to pigeonhole me.
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To me, punk rock is the freedom to create, freedom to be successful, freedom to not be successful, freedom to be who you are. It's freedom.
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It's not that I have compromised or anything, but it's always been important to me to take good care of myself and be a good example. I'm not much a role model in terms of hair care, though.
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One of my great goals when I first started taking photographs or showing them publicly is that people might want one for over their desk. That's my goal.
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I work to Glenn Gould in the morning and go to sleep listening to Parsifal.
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Since childhood, it was my dream to go where all the poets and artists had been. Rimbaud, Artaud, Brancusi, Camus, Picasso, Bresson, Goddard, Jeanne Moreau, Juliette Greco, everybody - Paris for me was a Mecca.
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Rock n' roll is dream soup, what's your brand?
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I never thought I was gonna live to 30.
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I'm not a very analytical person.
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I want to be around a really long time. I want to be a thorn in the side of everything as long as possible.
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You can't carve up the world. It's not a pie.
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There are so many great 19th-century photographers, and it's really my favorite period, but the amateurs did such beautiful work.
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I come from a working-class family, and I've been working since I was 13, from babysitting to blueberry picking to factory work to bookstore work. And of course, being a mother and homemaker, the hardest work of all.
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My father's mother was from Liverpool and she had this very beautiful English china. I only wanted to drink my cocoa out of my grandmother's cup and saucer.
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I knew William Burroughs really well, and I was always star struck being around him. I adored him.
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I like gettin' old.
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I didn't begin my life in 1975 with 'Horses.' I recorded 'Horses' in 1975, but was drawing in Paris in 1969.