Peter Facinelli Quotes
I don't know what the future holds. I just try to do roles that I haven't done before.
Quotes to Explore
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A big reason why I'm not a big TV watcher is that in my formative years as a viewer, there wasn't that much great television on, or at least, television that appealed to me.
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Unfortunately, man, a lot of places in America have to deal with unnecessary violence. Somebody like me who knows it firsthand and could relate... I had a best friend killed, plenty other friends killed. I been through it. I seen it.
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I don't want people to sit and process the song. I want them to just let them bathe over them.
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One of my favorite things about what I do for a living is that there is no certainty that, at any hour of any day, I could get a phone call that could change everything. Good or bad. I never know.
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Fashions have done more harm than revolutions.
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If a work of art is rich and vital and complete, those who have artistic instincts will see its beauty, and those to whom ethics appeal more strongly than aesthetics will see its moral lesson. It will fill the cowardly with terror, and the unclean will see in it their own shame.
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I'd been coming to New York for weekends since I was 17, and after 9/11, I started making these trips more frequently, just to make contact with the city.
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I love fashion and there is no easier way to express yourself than through the clothes you wear.
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When I was growing up in Pennsylvania, auditioning for Broadway was my dream.
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The best thing I did was to choose the right heroes.
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I was 12 when it really hit me. I did children's theatre camp during the summers and played a fairy in 'A Midsummer Night's Dream.' The next summer, I played Clytemnestra in 'Agamemnon' and I was like, 'OK, this is amazing.'
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TV feels quite constipated, and the thing I find particularly difficult is the branding of the channels where it's not 'Is it a good script?' but 'Is it a BBC2 script?'
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I moved to Princeton, Indiana, and became a professional Farm Manager for that Princeton Farms.
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To be the outsider is actually a great thing in England.
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I am all for everyone having a voice; I just don't think everyone has earned the microphone. And that's what the Internet has done.
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I always tell friends you can't judge your success by someone else's. You can't be afraid to fail.
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In England, when we're at drama school, we spend a lot of time learning the craft from playwrights and stage actors, who are very well trained in the basics of acting because they need to get it right the first time - you can't have second or third takes when you're in front of a live audience, unlike in film.
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Then in 1969, I spent the spring term at Cornell University in New York. The invasion of August 1968 had already happened, but the hardline regime took several months to crack down on dissidents.
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The Full Monty, ah, it's superb. The Full Monty showed how life really is in certain cities of England.
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We all have strategies to distract ourselves from what we cannot bear. Memory, for example, serves such a function.
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I'm interested in Dathan Ritzenhein's future in the marathon, and I believe that's where we need to address some issues he seems to have. He's had good marathon coaches - both Brad Hudson and me. He's figured out the fueling. He's got this incredible aerobic engine. But something's still wrong.
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I don't know what the future holds. I just try to do roles that I haven't done before.
