Yao Ming Quotes
First of all, I'm not buff enough. I got pushed away from the basket. And even when I didn't, I couldn't get anyone to throw me a pass.
Quotes to Explore
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In the age of the internet when everybody's a pundit, we're still gonna need somebody there to go talk to the colonels, to be on the ground in Baghdad and stuff and that's very expensive.
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The interest in the supernatural in a very generic sense and in the spiritual is not in itself a factor that helps the communication of the Christian faith.
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Operas elucidate, in a way sometimes absent in other theatrical productions, the very human fact that in every hero, there is a thread of duplicity. In every villain, there is another side to consider: We don't have to like him or her, but we are compelled to think about motivation.
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You think you choose the subjects of your books. But sometimes, in ways you don't know, the books choose you.
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Being innovative in your philanthropy allows you to stride forward in your giving journey; you can marry your mind and heart to turn charity into lasting impact; and you can become more ambitious in your giving.
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What is this world? A mere curl of smoke for the wind to scatter.
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I love working with women.
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I'm proud of our court. It knocks back a lot of the propaganda the Communists put out about the way America treats her Negroes.
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Having a place out of the city is a shortcut toward the mental reset I need.
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On a very basic level, many people think celebrities have too much already, so we shouldn't be entitled to our political opinions.
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Fine art is really something I want to get into.
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Acting gives me an adrenalin rush I don't get from anything else.
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I love traditions. I mean, cultural ones.
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When I became governor, spending actually increased 28 percent my first term. Revenue increased 42 percent my first term without raising anybody's taxes. We did it because we had more taxpayers with more taxable income. That's how you get the revenue up. We did that without raising anybody's taxes.
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I first saw Walter Hill's second film, 'The Driver,' as a teenager, late at night on the BBC, quite possibly sitting too close to the telly. Given that this 1978 slice of neo-noir takes place almost entirely in the dark streets of a deserted downtown L.A., it's really a perfect midnight movie.
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I was always cycling for my dad. Then the coaches got bigger, and my results got better. Suddenly, the responsibility grows, and I'm doing it for somebody else, I'm doing it for a programme; I'm doing it for the country. I'm doing it for, like, everybody.
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I learned what looked good on my petite frame, and to this day, I'm a great bargain shopper.
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What is man, when you come to think upon him, but a minutely set, ingenious machine for turning, with infinite artfulness, the red wine of Shiraz into urine?
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I've been around since I was 19, I won the Oscar when I was 21, I've had a couple of TV series. I've continued to work despite the predictions of some naysayers.
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What is extraordinary about contemporary art is the energy - it has our energy. New energy. Pieces hundreds of years old are beautiful from an aesthetic point of view, but without our modern energy.
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I've often tried to imagine my dream role and what that would truly mean. I'm not sure I've reached a clear picture of it yet, but I have always said the reason I wanted to act was ultimately to develop characters that evoke emotion and consequently change lives.
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First of all, I'm not buff enough. I got pushed away from the basket. And even when I didn't, I couldn't get anyone to throw me a pass.
