Joan Armatrading Quotes
Quotes to Explore
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Any time you can give consumers more of what they want, it's a good thing. Unbundling the album is a good thing. In the case of music - because it is content that you can slice into songs - doing that is of huge benefit to consumers.
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Music history has flowed under the bridges for many years.
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The correctness and quality of what you write do not matter; the act of writing does.
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I'm the artist when I'm doing music that I am when I'm acting. I'm everything.
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I love writing songs.
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I remember I heard it in an interview with Michael Jackson one day, saying the art is gone, everybody makes records just to make a record. See, I always want the artist that try to build a whole body of music on one album, so you can enjoy it. So you could say, 'I went with him here, I went with him here.'
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Writing is my way of expressing - and thereby eliminating - all the various ways we can be wrong-headed.
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Good acting is all in the writing. If it isn't on the page, then it really won't make any difference. You cannot act on force of personality alone.
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Very often, writing a song is a process that happens to me rather than one that I instigate. I feel a song coming on and, like a sneeze; I wait for it until it comes.
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I always have music. I love it to be very upbeat. When you're having drinks, I like something like Cesaria Evora. During dinner, I like the much more traditional - old Frank Sinatra and things like that.
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My highest point was the first thing I won, a short story competition in a women's magazine in the Eighties. It was the first time I'd had my writing validated, and the first thing I'd ever shown anyone else.
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Music is the best means we have of digesting time.
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But anyone who knows anything about the music industry knows it's not only about the music.
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As a storyteller, when you're writing a movie and when you're directing, you want to keep people entertained. That's the whole point, right? It has to be entertaining.
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If it is indeed impossible - or at least very difficult - to inhabit the consciousness of an animal, then in writing about animals there is a temptation to project upon them feelings and thoughts that may belong only to our own human mind and heart.
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My scientific work is much more practically minded - to change something, to effect something. And the music I do is much more soft power, about changing minds.
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Actually, I have another record I made with them in 1976, but I've had such a bad experience with record companies, because I keep my head so much in music and not in business.
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I think there's a perception out there that people know me based on these glamorous photos they see of me in magazines, but I have about two hours of hair and makeup and then people to dress me, to make me look even better, in those pictures.
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I don't know why I write. If I knew the answer, I probably wouldn't have to. But it is a compulsion. You don't choose it, it chooses you. And I wouldn't recommend it to anybody.
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I don't wear bright orange clothes or leopard skin boots, but it was really good fun to play someone that does and have an excuse too!
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I ascribe a basic importance to the phenomenon of language. To speak means to be in a position to use a certain syntax, to grasp the morphology of this or that language, but it means above all to assume a culture, to support the weight of a civilization.
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Idleness is the stupidity of the body, and stupidity is the idleness of the mind.
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Iraq is part of a legitimate American effort not to have democracy everywhere but to have democracy somewhere.
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Writing music is just something that I was born to do.
