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I think that what people love most about the Marvel universe are the characters.
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If you look at what we did with 'Winter Soldier' with the Cap character in terms of bringing him into the modern world, trying to ground the movie tonally into something that was a step toward real-world, at least to the degree you can do that in a superhero movie, that's still the tonal universe that we're playing in 'Civil War.'
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Disney represents the future of filmmaking in North America.
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We get excited by ideas, and we're more excited by being surprised by ideas than we are in dictating the course of events. We've found that leads to more interesting storytelling.
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I've seen 'Goodfellas' a hundred times, and one of the things that I take away from that movie is dynamic pacing and energy. I just think that film is sort of a paragon of excellence in filmmaking and the compression of narrative.
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There's always loose points that people bring up, which is great, and I think that's why you read criticism is because you want to see what worked and what didn't work, and certainly you have to filter it because there's a lot of people who just love to troll.
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Heroes are a way to remove yourself from what may be difficult concepts to talk about in your life. They're a way to get some distance and have an experience in a theater where you're confronting those issues in a way that's safer for your psyche.
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What we love about working at Marvel is they'll have a crazy opening for a movie like 'The Avengers' - like, a record-breaking all-time opening - and you get to the office on Monday, and they don't even have a pizza; it's back-to-work time.
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We began in indies, and maybe we'll make another smaller film again sometime.
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I'm Italian, so I absorb other cultures through their food.
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My feeling is that it's important that you show kids reality.
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We like smashing genres into each other, so if you can find something that's really idiosyncratic in respect to superhero genre and you can smoosh it into it, you usually wind up with something fresh and different.
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In 'Winter Soldier' - in terms of character-based, 'Winter Soldier' was so specifically for us: everything in that movie was designed around that version of Captain America that we wanted to see, that we wanted to explore. Everything in that film, all of the stylistic choices just flow from that.
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I've been fortunate enough to travel to Edinburgh a few times over the last few years, and I just loved the city. I find it one of the more beautiful cities in Europe.
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We grew up on Scorsese and Coppola and '70s crime thrillers.
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We're constantly striving to bring something new and different to the table, either in the way that we're using the cameras, or the storytelling we're using in the scene, or the way that the characters are being motivated by the action.
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We grew up near a cinematheque in Cleveland, so we were very influenced by international cinema, the French New Wave, Italian neo-realists.
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We took a very interesting journey from being really extreme art house filmmakers. But we find that working in commercial filmmaking and creating a brand on that high level affords us a lot of interesting opportunities.
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If you're a comic book fan, you know that any epic book, you would open it up - as a kid, I would just go through and look at who was fighting who. I'd stand there in the store for 15 minutes until the guy told me to buy the book or get out.
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First favorite character growing up was Spider-Man, second was Wolverine.
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I've been collecting comics since I was 10 years old. One of the first books I ever got my hands on was a Captain America-Falcon team-up.
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It was always the intent, in a larger arc, to split the Avengers up before the greatest threat that they've ever seen.
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I think we find that it's most helpful when we have both of our brains applied to an issue.
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We want to empower artists and filmmakers to forge new paths.