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My brother and I are politically-minded guys.
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I always say one of the great scenes from 'The Dirty Dozen' is where Jim Brown has to get grenades in the chimney.
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Everything is finite, right? Nothing can last forever.
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Disney represents the future of filmmaking in North America.
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What we love about working at Marvel is they'll have a crazy opening for a movie like 'The Avengers' - like, a record-breaking all-time opening - and you get to the office on Monday, and they don't even have a pizza; it's back-to-work time.
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There's always loose points that people bring up, which is great, and I think that's why you read criticism is because you want to see what worked and what didn't work, and certainly you have to filter it because there's a lot of people who just love to troll.
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I've seen 'Goodfellas' a hundred times, and one of the things that I take away from that movie is dynamic pacing and energy. I just think that film is sort of a paragon of excellence in filmmaking and the compression of narrative.
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Heroes are a way to remove yourself from what may be difficult concepts to talk about in your life. They're a way to get some distance and have an experience in a theater where you're confronting those issues in a way that's safer for your psyche.
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I've been fortunate enough to travel to Edinburgh a few times over the last few years, and I just loved the city. I find it one of the more beautiful cities in Europe.
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I'm Italian, so I absorb other cultures through their food.
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We took a very interesting journey from being really extreme art house filmmakers. But we find that working in commercial filmmaking and creating a brand on that high level affords us a lot of interesting opportunities.
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My feeling is that it's important that you show kids reality.
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We began in indies, and maybe we'll make another smaller film again sometime.
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In 'Winter Soldier' - in terms of character-based, 'Winter Soldier' was so specifically for us: everything in that movie was designed around that version of Captain America that we wanted to see, that we wanted to explore. Everything in that film, all of the stylistic choices just flow from that.
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We like smashing genres into each other, so if you can find something that's really idiosyncratic in respect to superhero genre and you can smoosh it into it, you usually wind up with something fresh and different.
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We grew up near a cinematheque in Cleveland, so we were very influenced by international cinema, the French New Wave, Italian neo-realists.
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We grew up on Scorsese and Coppola and '70s crime thrillers.
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We're constantly striving to bring something new and different to the table, either in the way that we're using the cameras, or the storytelling we're using in the scene, or the way that the characters are being motivated by the action.
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I was a comic book nut. For real. I still have a collection in my closet.
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I've been collecting comics since I was 10 years old. One of the first books I ever got my hands on was a Captain America-Falcon team-up.
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First favorite character growing up was Spider-Man, second was Wolverine.
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If you're a comic book fan, you know that any epic book, you would open it up - as a kid, I would just go through and look at who was fighting who. I'd stand there in the store for 15 minutes until the guy told me to buy the book or get out.
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I think we find that it's most helpful when we have both of our brains applied to an issue.
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I think movies moving forward are going to become long-form storytelling.