Joanne Froggatt Quotes
Quotes to Explore
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I've never said I was a chef - I think I make great food. I will never open a restaurant to do, like, tasting courses.
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It's very hard to teach someone how to write a song if to begin with there's no creative crop to harvest.
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Southern Appalachians have been ridiculed since the country began. In fiction, they're usually depicted in a cartoonish manner. The region is poor, and very suspicious of outsiders, so there's a sort of 'us versus them' situation. They're easy to poke fun at.
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Christ's strength is manifest in our weakness, so if we had everything together there would be no need for Him.
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One can become enthusiastic over anything. For a time I was delighted with bomb throwing. It gave me a tremendous pleasure to bomb those fellows from above.
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Brooklyn's good. Brooklyn's funky. Brooklyn's happening.
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I have made an art form of the interview. The French are the best interviewers, despite their addiction to the triad, like all Cartesians.
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Unless you consider yourself some sort of human brand, which I don't, you have to deal with the fact that different people are going to like different aspects of your work. It's not consistent. I am not consistent. But I feel OK with that.
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We need to rekindle those values, those strengths as a nation and as a people... And we must do so as one people with one goal.
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Parents should be allowed to choose which cable or satellite channels - sources of the most extreme content - come into their homes.
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A sentence that clots in your mouth is unlikely to flow in your mind.
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The physical journey in my films is indicative of the internal journey that my characters take.
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That's been the most exciting part of the show - incorporating the magic and the acrobats and the singing and dancing to make our 'Pippin.'
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What I have yet to see is a real woman choose a younger man because he spent six hours a day at the gym trying to sculpt his abs.
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The thing that bothers me about journalism is the false equivalency we sometimes place on certain issues.
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My mom and I are very close.
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When I got out of college, I moved to Seattle because it was the nearest big city and still didn't know if I wanted to be a composer, conductor, singer, actor. I just got day jobs and auditioned and took what came, and the theater doors were the ones opening the most.
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I'm not going away. I'll still be very much involved in the team but not with the same number of hours. I need to move over and allow the people who are really doing the job the space to do so.
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Movies are a commercial medium. We don't make movies to impress our friends and critics. It's an expensive medium. We have to gain money from it.
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Be personal, and original. Try to work clean. Stay away from topical material, as it does not allow you to craft it to make it better for later. And always remember that it is the fans who will make you or break you.
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I've always been more slight, and I've always sort of felt that I needed to be protected, especially with so many rowdy brothers and sisters.
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What I don't want is to be in the public's face all the time. I know there are people who will do anything and everything to be out there. That's not my agenda. I love doing what I do and doing it for a period of time and then stopping.
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The first time I ever saw him play, Tre Cool was wearing a tutu and an old-womans swimming cap.
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A lot of period pieces we see are adaptations of novels - we always know the story.
