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When I started doing my work years ago, I had doubts as to whether the informed-consent question was answerable.
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I will always admit immediately to what's obvious, which is that Homo sapiens is inherently erotic or inherently sensual from birth.
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We live in an age where anonymity is growing in magnitude like a bomb going off.
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If it gets to the Supreme Court, I'll have the directors of every museum in the country as expert testimony that my work is legitimate art.
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I'd rather get back to making art than talk about it.
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I just yesterday returned from a trip where I photographed a woman with two children whom I photographed first when she was the age of the older of the two children.
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I found myself serving a sentence of public denial from the very second the raid on my apartment happened.
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There are photographs that I don't take now that I previously would have taken without any thought at all as to any misinterpretations.
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The truth is that from birth on we are, to one extent or another, a fairly sensual species.
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If somebody's pointing a trembling finger at your pants and saying you shouldn't be doing that, follow that finger back, go up the arm and look at the head that's behind it, because there's almost always something fairly woolly in there.
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Different members of different cultures will think that some things are beautiful.
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There isn't a person alive who doesn't like being caressed.
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But empirically I've come to understand that my photographs really don't do any harm.
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I didn't think there was anything more or less obscene about any part of the body. Now, I recognize that there are certain postures and angles that make people see red, which are evidence of original sin or something, and I avoid that.
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Virtually always I get my best pictures when everybody thinks the shoot's done.
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The world is shrinking as we see more and more of it in the media, and the more we see of the world, the smaller we are, the more aware we are of how insignificant any one of us is.
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It's really, really hard to make it as a fine-art photographer exclusively.
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They were without clothes before I got there, and they were without clothes when I left.
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What pedophiles and people who have sexual desires on children lose sight of to a terrible, terrible degree - a devastating degree - is that their victims are real people who will suffer forever whatever abuses are perpetrated on them.
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The transactions between me and the people that I photograph are very, very collaborative.
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What I'm good at is making art.
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No two people take on the information of being admirable and being admired in the same way.
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Every child is going to grow up. You can see it happen in the books: They get older and older and belong to themselves to a greater and greater extent.
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Physical beauty is such a strange thing.