Jodie Sweetin Quotes
Quotes to Explore
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I came to live in Shepperton in 1960. I thought: the future isn't in the metropolitan areas of London. I want to go out to the new suburbs, near the film studios. This was the England I wanted to write about, because this was the new world that was emerging.
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You know, it's hard sometimes to just detach yourself from what you're doing.
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I have made enough money to secure my family and that is all I care about.
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Life does not owe me a shred.
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Major labels didn't start showing up really until they smelled money, and that's all they're ever going to be attracted to is money-that's the business they're in- making money.
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I usually have eight to 10 meetings a day and travel 150 days a year..._It sounds crazy, but I wouldn't have it any other way.
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My professional dreams were coming true while I was living a personal nightmare.
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We're born alone, we live alone, we die alone. Only through our love and friendship can we create the illusion for the moment that we're not alone.
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I'll admit that I do quite like drinks that come in coconut shells. So there's always that.
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Hard power makes sense under some circumstances. But there's not a universal solution to global problems.
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What a costume designer does is a cross between magic and camouflage. We create the illusion of changing the actors into what they are not. We ask the public to believe that every time they see a performer on the screen, he's become a different person.
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If anybody's getting a shot, somebody's getting a shot against me because I'm the guy to beat.
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War is the province of danger.
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Sometimes pressure can be good, and it gives you a lot of energy to do something.
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I'm now beginning to feel that the pessimistic vision is not for the movies.
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So there is a personal sense of style for a given work - I don't like a general style, but every work has its own style, and I want to create a style for every work.
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As coaches, any work you may do, it's been done long ago.
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Whether I'm 40, 50 or 60, I'm going to be as physically strong as I am able.
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In 1985, I was arrested, along with my mother and brother, Martin III, in a protest against apartheid at the South African Embassy in Washington, D.C.
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Kids are no fools: they're very sophisticated, they don't miss a lot; they don't miss nuance.
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The fact is I am growing old too fast, alas! I feel it, and yet work I will, and may God grant me life to see the last plate of my mammoth work finished.
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The literary depiction of life and its moral dilemmas compel us to use our conscience, to make those infallible distinctions between right and wrong.
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You go for an audition, and you meet a director, and you find that they don't want you. You have to have a pull with them: that they understand what you want to bring to it. That you don't want to be the pretty little thing.
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I've always wanted to learn the Argentine tango.
