Sam Rayburn Quotes
Quotes to Explore
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I don't believe in God, though I'm not prepared to call myself an atheist either. You know the old phrase: 'There are no atheists in foxholes.' I've never been in a foxhole, and if I ever find myself in a foxhole, I'll let you know if I believe in God or not.
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If you're in a dark place, you're there for a reason. And the only way to get through to those kids or to other people going through the same thing is really to meet them in that dark place and then slowly bring them to the light.
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The public's nerves are raw and edgy. You have to be discreet and understanding about the films you are showing.
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And I mean I never doubt anybody's record.
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Reading is a free practice. I think the readers are free to begin by the books where they want to. They don't have to be led in their reading.
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I think it just came to a point where I made a decision to do better with my life and health. And that is only by God's grace because there are no guarantees.
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There has to be so many other ways of approaching airline security than demeaning ourselves by giving up a lot of our dignities and our liberty to do this.
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I was a dancer when I got discovered, and I started working immediately. I started being in commercials and doing guest star roles. My first big thing, which happened maybe six months after being discovered, was 'Bring It On: All or Nothing.'
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I don't think about fights that didn't happen.
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Slow travel now rivals the fly-to-Barcelona-for-lunch culture. Advocates savour the journey, travelling by train or boat or bicycle, or even on foot, rather than crammed into an airplane. They take time to plug into the local culture instead of racing through a list of tourist traps.
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A novel is a great act of passion and intellect, carpentry and largess. From the very beginning, I wrote to explain my own life to myself, and I invited readers who chose to make the journey with me to join me on the high wire.
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I've had a dozen novels published and have made far more than a dozen mistakes. Which is why Randy Susan Meyers and I wrote a guidebook to help authors avoid making our mistakes.
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After a 15-year career in television news, sometimes spent biting my tongue in the name of objectivity and balance, I retired to raise our two small children.
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Dream and you shall become.
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When I did '1,2,3,4' on 'Sesame Street' they'd rewritten the song and made it about counting. At first, I balked. I was like, 'Counting to four? That's where we're going with this?' Then they sent me appearances by other people like James Blunt doing 'You're Beautiful' as 'My Triangle.'
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We got a little waylaid along the way. The whole problem started about 10 years ago with management and legal battles, then still trying to make albums while I was doing all of that.
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You know sometimes it's not the bigger roles that give you the most satisfaction, yeah?
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From a very early age, I made my decisions based on careers that I admire. The one thing that all the actresses I love have in common is that they have diversity in their careers.
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I like to say, 'Chop suey's the biggest culinary joke that one culture has ever played on another,' because chop suey, if you translate into Chinese, means 'tsap sui,' which, if you translate back, means 'odds and ends.'
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As a real estate investor, you're ultimately accountable to you and your checkbook. Of course, you will need to stay on top of your local coding regulations and ordinances. But once you get the hang of it, you really shouldn't have any problems with ordinances.
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In the field of fantastic fiction, the question of world-building is not uncontroversial. But I grew up with 'Dungeons and Dragons,' so that whole world-building thing is very close to my heart.
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I too complain ceaselessly in my heart and in my words too. My very life is a protest. Against government, for instance.
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If you have rooms that are very homogeneous, that have all had the same life experiences and educational backgrounds, and they're all relatively wealthy, their perspective on the world is going to mirror what they already know. That can be dangerous when we're making systems that will affect so many diverse populations.
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The real actor has a direct line to the collective heart.
