Max von Sydow Quotes
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I just feel I shouldn't work too much, because there are so many other things to do.
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I've been the type of father who tries desperately to be perfect but doesn't succeed all the time.
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I understand German; I can read German.
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Human beings are human beings whether they speak or not.
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If people ask me, 'For you, what is your most important film?' I have a feeling that they all sort of want me to answer with one of the Bergman films. But I cannot choose.
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Mr. Bergman was a man of great working discipline. He forced everyone to concentrate when it was important. No disturbing noise during rehearsal. A code of silence.
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Film acting, if you don't play the lead, you come, and you do your scenes in a few days, and you act with a couple of colleagues. All the rest of the actors you never see, and you don't even meet many of them. And you don't know what will happen with what you've done. Maybe it will be in the film, maybe it will not.
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I accept a role only if it's something I really, really like.
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There are many documentary filmmakers who have a tough time because they don't really get what they need to do what they want. There are so many people with good visions that should be encouraged and helped. And they will deliver, I'm sure.
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I'm not in retirement. I just don't want to work so much, and I don't get that many offers any more.
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My father was a professor of folklore, and my mother was a teacher until she was married. I had a good relationship with them, and the only argument we had was when I went to university and wanted to go into the theater instead of studying to be a lawyer.
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The studio rented a house for my wife in Los Angeles under a phony name to keep reporters away. Whenever I wanted to visit her and my children, I would have to sneak in the back door after dark.
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I actually know the moment I became known. It was at the Cannes Film Festival, when they showed 'The Virgin Spring.' I walked into that theater as one person, and I walked out as another.
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No doubt, the most important thing in my career was my time with Mr. Bergman, with whom I worked in so many films and also in so many stage productions, so it was a continuous working relationship and also a friendship, of course, that lasted for so many years.
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There are those who want to believe but can't, and there are those who believe as children and it's no problem for them at all.
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During my military service, I performed a sketch in which I played a flea called Max. So when critics kept misspelling my name, I decided to change it and thought, 'Ah! Max!'
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Hiroshima has become a metaphor not just for nuclear war but for war and destruction and violence toward civilians. It's not just the idea we should not use nuclear arms. We should not start another war because it's madness.
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All of us, we deserve to survive.
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It's important to me to work in my own language now and then. I love English, but you can never learn to master a foreign language if you're not brought up with it.
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I've never been in a barroom brawl in my life. I just don't do such things.
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I would love to do parts I have never done before, but unfortunately, if you have had success in a particular type of character, the casting agents think, 'Oh! We'll have something exactly like that.' It's very boring.
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I think the film you hear about the most is 'The Exorcist.' When people come up to me and say, 'Oh, you scared me!' I was the good guy in that film!
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If Jesus came back today, and saw what was going on in his name, he'd never stop throwing up.
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Movies give me an opportunity to go places. I'm not only a Swede but an American, not just a man of my time, but I've been living 2,000 years ago-and not just in a new country, America, but in the Holy Land, too.