Maxim Gorky Quotes
Happiness always looks small while you hold it in your hands, but let it go, and you learn at once how big and precious it is.
Quotes to Explore
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It is better not to express what one means than to express what one does not mean.
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I worked three and then six hours a day in my studio with strict discipline and emotion. I obtained awards usually granted to other foreigners during the end-of-year admission tests.
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I want my shows to be eerie and mysterious.
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The humor is essentially dark for a cartoon and sophisticated. But at the same time, being a cartoon gives the writers more freedom than in a normal sitcom. It always pushes the line that, despite human failings, the Simpsons are really decent people.
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The majority of work I do is in independent films, where you're lucky if you have five takes.
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No one could ad lib like Peter. You would think that it was all scripted, he was so poetic, but it wasn't.
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The questions don't do the damage. Only the answers do.
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I grew up in a village of 12 houses. We had a well and a cow.
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We're trying to have the band create something beautiful that hopefully one day, 20 years from now, can be picked up by a kid and hopefully have the same effect that Neil Young had on me, or Led Zeppelin or Black Sabbath.
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You can't say what the outcome of a competition is going to be, so now I am ready to accept any result that comes my way, if I give my best shot.
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Near the end of my career, I saw things that didn't make too much sense to me when I was a kid.
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I really wanted to make 'Everest' visceral, real. One thing that amazed me when I was scouting in base camp is the volume of Everest: It's humbling. I wanted to find a way to bring that to the screen. One way was 3D.
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Singing in Yiddish was a great thrill for me and came about through Joe Papp, the founder of The Public Theater.
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I do take this insane pleasure in world-building. I get the world in my head, but I have to make sure everyone else gets it.
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The truth is that the history of Mexico is a history in the image of its geography: abrupt and tortuous. Each historical period is like a plateau surrounded by tall mountains and separated from the other plateaus by precipices and divides.
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I go on a good many adventure-type trips. Whenever I go on one, it's always potentially going to be the setting for one of my books. I pay more attention to certain aspects than some other people might. Sometimes I use them, sometimes I don't. Most of the books I write are based on experiences I've had to some extent.
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Sometimes, poor people don't smell too good, so love can have no nose.
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My dad said, 'Cam, you can make this situation a dream or you can make this situation a nightmare.' That struck a fire under me. That was my drive.
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It is painful to be consciously of two worlds. The Wandering Jew in me seeks forgetfulness. I am not afraid to live on and on, if only I do not have to remember too much. A long past vividly remembered is like a heavy garment that clings to your limbs when you would run.
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'Game of Thrones' fans are the nicest people ever, but a thousand nice people coming at me gives me claustrophobia.
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Rehab is endlessly repetitive. And it's never easy, because once you've mastered some movement or action or word, no matter how small, you move on to the next. You never rest.
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To be clear, I normally climb with a rope and partner. Free-soloing makes up only a small percentage of my total climbing. But when I do solo, I manage the risk through careful preparation. I don't solo anything unless I'm sure I can do it.
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There's an attitude that I have where I bring the art to the table and the writer brings the writing to the table, but neither of us brings the story to the table. The story is something that only happens with the combination of both of us.
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Happiness always looks small while you hold it in your hands, but let it go, and you learn at once how big and precious it is.
