Maxwell Anderson Quotes
The essence of a tragedy, or even of a serious play, is the spiritual awakening, or regeneration, of the hero.

Quotes to Explore
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I lose film roles because I'm a person who doesn't keep quiet about certain things. But if my heart tells me something is wrong, I'm going to go and do something about it.
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Anyone who knows me knows what I'm about - how much I'm into empowerment, equal rights and everyone just loving themselves.
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I love to be with my son and my grandchildren, like normal people. I have no particular idea of what I represent to other people. It's very mysterious to me. I don't understand it.
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Solutions will not be found while Indigenous people are treated as victims for whom someone else must find solutions.
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I don't think my competition is with the heroes. I don't think I'm competing with anyone. I don't mean to sound Zen, but genuinely, when I stopped competing with anything is when I started enjoying my work, and that brought out the best in me. I'm living in a universe of my own, and I'm enjoying that. I love to appreciate other people's work.
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Total loyalty is possible only when fidelity is emptied of all concrete content, from which changes of mind might naturally arise.
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I like buying iTunes. It's instant.
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One of the best essays I've seen in recent years was by a young woman who wrote about how being chosen to choreograph a high school musical forced her to assume a leadership role she wasn't sure she was ready for - but of course she was.
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You ask any person in the U.S. and they know who Mary Lou Retton is.
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Our lives teach us who we are.
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Barack Obama is more irritating than the other nuisances on the Left.
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No adultery is bloodless.
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Nations consist of people. And with their effort, a nation can accomplish all it could ever want.
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I think the system is broken; most people think that it's broken. And we think that what we're going to do is invigorate the political system and allow for this country to be turned around.
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The fact that we're protected under that Constitution in exercising the right of free speech, it's a wonderful thing. You've got to come from somewhere else to realize how valuable it is.
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Thankfully, it became clear to me that when I compete, I lose my connection to the passion I have for my work.
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Most people would identify with the fact that we tend to be defined by the struggles we came through than by the successes. And certainly for me that's true.
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There's a play that Chekhov wrote called 'Uncle Vanya,' and I when I was in school, I played Sonya, and sometimes people ask me if there was ever a role I could play again, that's definitely the role I would play again: Sonya in 'Uncle Vanya.'
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I thought for a month or so along the lines of what I call Monsieur Beaucaire in modern clothes. By that, I mean a hero who is believed by all to be a villain but who, in the end, is introduced as a man of great honor with a long list of decorations.
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I felt like an extraordinary hero. I was only five or six and I had the whole of life in my hands. Even if I had been driving the carriage of the sun I could not have felt any better.
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There's a large strain of irony in our human affairs... Interwoven with our affairs is this wonderful spirit of irony which prevents us from ever being utterly and irretrievably serious, from being unaware of the mysterious nature of our existence.
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I have no problems or issues with screenwriting in general.
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The essence of a tragedy, or even of a serious play, is the spiritual awakening, or regeneration, of the hero.