Maxwell Caulfield Quotes
You can work and scratch out a living in the theatre, but, if you want to make money, you've got to hit the road. You've got to play big houses of 2, 3 thousand seaters with your name above the bill, do popular fare and reach out to the audience such as it is.
Quotes to Explore
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I'm open to all the elements, I'm definitely ready to take anything on. But I don't want to jump too far into the deep end.
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The pace of television is very different from film.
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The spring wakes us, nurtures us and revitalizes us. How often does your spring come? If you are a prisoner of the calendar, it comes once a year. If you are creating authentic power, it comes frequently, or very frequently.
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In a movie, you have to be mindful that no budget is going to be able to deal with running around the globe at every whim of the writer.
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People in their 70s can still have incredible lives. Health is the most important thing.
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I know that I have to give testimony about all the things I lived, but I need time.
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Some people feel that what we're doing makes no sense, that it's just a waste of money. But it's working.
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I'm no Method actor. I've tried staying in character, and it's just exhausting.
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When I was releasing EPs by myself, I was generating royalties. And when I signed, I thought I'd put those royalties into other artists. And interestingly, streaming is most of the income for those artists.
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I love America a lot. I really do.
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The whole idea is whatever you do, have fun with it; try to make sure that it's quality and something you don't mind putting your name on.
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I don't subscribe to the idea that if you don't have the body you want, you can't be proud of the body you have. I think you can do both.
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I had to give myself permission to act, then others agreed.
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History is fickle. We know that. The good and bad come around and go around, and go around again. There are recessions and depressions and economic boom and bust.
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I will keep smiling, be positive and never give up! I will give 100 percent each time I play. These are always my goals and my attitude.
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When I first started cooking, I was very much an intuitive cook when it came to taste, but that didn't mean I didn't want to know why some things worked and why others did not. My interest took me to culinary school.
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Our experience at Teach For America has been that the more people understand educational inequity, the more they want to do something about it.
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You've gotta believe in yourself, and you just have to work harder at it than you've ever worked at anything before in your life. And if you keep doing that and keep believing in yourself, great things do happen.
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People will politicize religion; we see it in every faith, in every religion. We see it with Pat Robertson, in my opinion, and we see it with the Taliban.
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I grew up in east Tennessee, and everybody knew everybody's business.
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Irrationality interests me more than anything: sometimes it's very dangerous, but it can be incredibly beautiful.
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Experience has taught me that you have to improve all the time-little bit by little bit-and not keeping starting everything from new.
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I never want projects to be finished; I have always believed in unfinished work. I got that from Schubert, you know, the 'Unfinished Symphony.'
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You can work and scratch out a living in the theatre, but, if you want to make money, you've got to hit the road. You've got to play big houses of 2, 3 thousand seaters with your name above the bill, do popular fare and reach out to the audience such as it is.
