Joe Biden Quotes
Quotes to Explore
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Let's judge a man on what he's done.
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I am not content to entrust our free-speech rights to the good graces and whims of Congress and hope that politicians don't abuse their power.
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If in my twenties I'd gotten one of the two-dozen roles that I did screen tests for and almost got, I think I would have become bored with the awards circuit, the whole hype machine.
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Because I travel so much, I bring my workout clothes and shoes wherever I go. That way I can always do some exercise.
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I want to drink champagne from ladies' shoes.
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I think it's always easy to be sympathetic to parts of the government in detail; in their concrete manifestations. Because obviously, we don't have government for no reason.
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The moment you give up your principles, and your values, you are dead, your culture is dead, your civilization is dead. Period.
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Life's a challenge, but that's the best part.
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Are we a Christian nation now? It's doubtful. But did we start out as one? Without question.
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Wanting to be a good actor is not good enough. You must want to be a great actor. You just have to have that.
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I'm very intelligent. I'm capable of doing everything put to me. I've launched a perfume and want my own hotel chain. I'm living proof blondes are not stupid.
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I was sitting alone in a grim mood – furious that the press attacked Senator Edwards on the price of a haircut. But it inspired me – from now on, all haircuts, etc., that are necessary and important for his campaign – please send the bills to me... It is a way to help our friend without government restrictions.
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In the Philippines, the host should always be willing to defer to the wishes of the guest.
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I don't need fame any more. People are less interested in me in terms of celebrity. I'm happy to see a new generation being the media focus. I'm happy my day is done. It's over.
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The state of law is equal for all people. It cannot depend on electoral politics.
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I prefer to make movies which not only have a message for 'then' but a message for 'now.'
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In the early '90s, I was hired to write educational dramas about HIV and AIDS in the shantytowns. I did that for two and a half years, and then I was hired on other films. When 'Tsotsi' presented itself, I thought, 'This is not a world I grew up in, but I've spent a great deal of time writing about it and researching it in my past.'
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I'm a walking, talking enigma. We're a dying breed.
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I'm kind of like an open wound all the time, and that's hard. It's hard to deal with, especially in this industry. Every time I leave a movie, I feel like I'm going to die. Because you connect with these people, and then they all leave. I wish I wasn't like that, but I am.
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Making a movie is such a huge commitment of emotion and time that I didn't want to be beholden to doing it for money.
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I'm an odd mixture. I'm a sort of Geordie punk who started in classical theatre. It means nobody ever knows quite where to put me, but I like that.
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I know now that I want to do more voice-over projects. They really have the ability to transport you into the world of whatever movie it is you are working on.
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A wonderful physical tie binds the parents to the children; and - by some sad, strange irony - it does not bind us children to our parents. For if it did, if we could answer their love not with gratitude but with equal love, life would lose much of its pathos and much of its squalor, and we might be wonderfully happy.
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In the good old days when I was a senator, I was my own man.
