Joe Dante Quotes
When you make a 3-D movie you actually have to plan the way the visuals look because there's a parallax issue, and there's an issue of editing; you can't edit very quickly in 3-D because the eye won't adjust fast enough for it.
Quotes to Explore
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No religion makes more use of color than Hinduism, with its blue-skinned gods and peony-lipped goddesses, and even the spring festival of Holi is focused on color: Boys squirt arcs of dyed water on passersby or dump powder, all violently hued, on their marks.
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Investing in gold is one of the wisest decisions that you can make as an investor.
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My mother, as a girl, had remembered this woman from Maine, someone who was part of the extended family somehow, and I recall her talking about this great, risk-taking woman. There are the most amazing, heroic stories in everybody's lives.
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I have been sustained by cane field, the cane plantation I have.
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My original idea was to produce and not make records myself.
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Language is possible due to a number of cognitive and physical characteristics that are unique to humans but none of which that are unique to language. Coming together they make language possible. But the fundamental building block of language is community.
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Let each person do his or her part. If one citizen is unwilling to participate, all of us are going to suffer. For the American idea, though it is shared by all of us, is realized in each one of us.
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Killers can seem smart when you can't figure out who they are.
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My awkward stage extended well into high school.
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I've been a bit of an electronics enthusiast and maker for a long time. I actually started the forum called ModRetro. It's an electronics enthusiast community that focuses on modifying vintage game consoles, and it's actually one of the larger game console modification forums on the Internet.
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Playing live, you can't survive, certainly not in England. We used to work daytime jobs and play gigs at night. It was very exhausting.
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As an author, I had spent years writing my stories on my own in a quiet room. My ideas traveled from my brain to my fingers, executed exactly as I saw fit, never veering from my own intent. TV simply doesn't work that way.
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The older you get, the better you have to look, the higher you have to kick, the harder you have to work.
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I pride myself on my personilty and not my looks because one day, I will be old and crusty with a moustache, and someone is going to love me for my personality and not looks. So whoever is going to marry me is going to laugh till he dies.
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People think they have to give up things to make a difference to the world, but you don't have to.
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There would be nights when I would wake up and couldn't get back to sleep. So I would go downstairs and write. The staff had a pool going on how many pages of typing I would bring in here in the morning.
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Any film I do needs to excite me at a script level.
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Radio is a really strange business now, too. There's a very narrow door and a very few people control what gets played.
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I think it's very insulting to say, 'White people don't understand.' What are you talking about? You're part of the problem then if you're... speaking and labeling all white people, saying they don't understand the issue or saying they can't relate. That's really not giving people much credit, is it?
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Operation Iraqi Freedom is over, and the Iraqi people now have lead responsibility for the security of their country
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I try to write cinematically. Let me define what I mean by that. First of all, I try to write in a visual way so that the reader can watch a movie in their head. And it keeps moving. I try to structure the stories like a screenplay may be structured.
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My tag line for 'Silver Linings' is this: It's about a man who thinks his life is a movie produced by God.
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The book is even quirkier, but it's hard to bring all of that stuff to a movie. With a book, you use your imagination more and create your own way to make it all make sense.
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When you make a 3-D movie you actually have to plan the way the visuals look because there's a parallax issue, and there's an issue of editing; you can't edit very quickly in 3-D because the eye won't adjust fast enough for it.
