Joe Garagiola Quotes
Quotes to Explore
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Far worst of all, the fever had settled in Mary's eyes, and Mary was blind.
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And it seems to me in that experience may lie at least some of the clues for policy development perhaps constitutional changes as well that Labour will need to make at the national level too.
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I never wrote just straight women's roles. I liked the strong characters. I don't mean women who have masculine qualities about them, but something that has some intestinal fortitude, some guts to it.
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When decorum is repression, the only dignity free men have is to speak out.
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When student performance shows increases on test scores, that improvement is not associated with an increase in 'fluid intelligence' - that is, using logical thinking and problem solving in novel situations, rather than recalling previously learned facts and skills.
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We are facing extreme volatility.
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Feminism, as it stands, well... stands. It has ground to a halt.
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Being born in a Christian home does not make you a Christian.
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As I mentioned, I was a carpenter for a time.
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In documentary films, you're a storyteller using found objects. You still have to have a story arc and all the elements that make a good story. It really helped me mature as a storyteller.
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It's a complicated issue, and you can't boil it down in a tweet... two sentences cannot sum up the whole gun debate... The minute you try to talk about it honestly and openly, you get raked over the coals.
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I like movies where you feel like it was actually thought through.
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I'm trying to have some longevity in this business. If that means not working for a while and just picking the right job, so be it.
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The Democrats' drive to defeat Neil Gorsuch is the latest battle in a 50-year war for control of the Supreme Court - a war that began with a conspiracy against Richard Nixon by Chief Justice Earl Warren, Justice Abe Fortas and Lyndon Johnson.
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When I started studying tenor saxophone as a kid in Belfast, I did so with a guy named George Cassidy, who was also a big inspiration.
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Most pieces take between two and three weeks and involve more than 40 people from the fabric cutters to the embroiders to the sewers. It's an elaborate undertaking.
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We're on Twitter with one side of our personality, and Facebook with another, and LinkedIn with another side of our personality, and we're toggling between them. That's just a version of what an impostor does: shifting from one side of their personality to another with lightning speed.
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The biggest risk with a series that goes on this long is that you'll get bored with the character.
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I'm just concerned that if I get older, people aren't going to enjoy me as much as when I was younger, because I had a great voice for a little girl, but I mean, my voice can't get any bigger when I'm older.
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Everything is so fast now, everything is so disposable now, there's no time to build up a career like we used to have in the past.
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I think the players, I put in the book for example that we should go back to wood rackets, probably they laughed at me, I'm a dinosaur, but I think that you see these great players, have even more variety and you see more strategy, there'd be more subtlety.
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We are approaching a new age of synthesis. Knowledge cannot be merely a degree or a skill... it demands a broader vision, capabilities in critical thinking and logical deduction without which we cannot have constructive progress.
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To a novelist, fluidity is the ultimate good omen; suddenly difficult problems are simply solved, intractable structural knots loosen themselves, and you come upon the key without even recognizing that this is what you hold.
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You have to retire before you can make the Hall of Fame.
