Joe Gebbia Quotes
In a lot of ways, the real learning at RISD happened after-hours when you're working side by side with your colleagues.
Quotes to Explore
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The books that help you most are those which make you think that most. The hardest way of learning is that of easy reading; but a great book that comes from a great thinker is a ship of thought, deep freighted with truth and beauty.
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I think what is happening is I think first of all there is confidence in the U.K. economy. We're in a German rather than a Greek position in international financial markets, which is very positive and keeps our debt service costs down, and we're also beginning to see real evidence of rebalancing.
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Sometimes the kids come up with better endings than the real story.
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The only thing that is real is the being in you that is going to die.
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When people talk about the impact of mobile dating, everyone focuses on real-time meeting - this idea that my pocket will vibrate every time a hot girl walks by. That's important. But it's not transformative.
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Mainly, I hope to inspire honesty. We live in a space where so much can be manipulated, and so much is expected to be manipulated - curated, contrived, edited. I think that's a real detriment to self expression and happiness in a lot of ways. In my mind, honesty and vulnerability is the way forward.
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When you are doing a long scene, you have dialogue and interaction to narrate the character. But making sense out of facial expression and reacting is difficult. Having said that, I think such challenges are good for learning.
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Learning another language is not only learning different words for the same things, but learning another way to think about things.
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The simple truth of our finiteness is that we could, by whatever means, go on interminably only at the price of either losing the past and, therewith, our identity, or living only in the past and therefore without a real present. We cannot seriously wish either and thus not a physical enduring at that price.
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Over my career, I've reinvented myself numerous times. I covered the Pentagon, the State Department, and the CIA. I wrote about labor wars, trade wars and real wars. I chronicled a nuclear plant meltdown and the defeat of Communism. I co-founded a couple of media businesses.
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I've wanted to be a writer since I was a boy, though it seemed an unlikely outcome since I showed no real talent. But I persevered and eventually found my own row to hoe. Ignorance of other writers' work keeps me from discouragement and I am less well-read than the average bus driver.
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There's some real dark days where you just feel like the story is falling apart in every one. Just keep moving forward, even when you are bluffing, even when you don't quite know what is going to happen next.
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I first heard African drum rhythms and chants at the movies. Then, when I had the opportunity to go to Africa and visit the villages, I heard the real, raw, true rhythms and realised the origins of the old Negro spirituals I grew up with in the South.
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In my heart, I'm 100% real. You can't pull out nothing in my past that can say I'm not 100% real.
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Once you are satisfied with your goal, it is the real happiness.
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The real reason we ended up getting into that type of music was our dad worked for an oil company so we spent a year overseas when we were young kids. Because of that, it was all Spanish TV and radio so we ended up having these '50s and '60s tapes, tapes of that music.
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Russell Crowe is very difficult, but it's worth it. He's the real thing. I can tell you this. Russell Crowe was just as difficult before he was an international star as he was afterwards.
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The real being of language is that into which we are taken up when we hear it - what is said.
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It's like saying French shouldn't be taught because you don't understand it because it's new. Shakespeare is just like learning a new, exciting language.
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I didn't know how to pass a major piece of legislation; I didn't know how to get colleagues to support my views. It took a lot of asking for advice and learning. One of the lessons is that you have to be able to tell people why you care, and you're only going to be able to do that if you talk to someone whom an issue is affecting.
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I think what's important, as an artist who wants to be multi-dimensional, is learning how to shape-shift into those different paths fluidly and frequently.
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Guy don't need no sense to be a nice fella. Seems to me sometimes it jus' works the other way around. Take a real smart guy and he ain't hardly ever a nice fella.
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I feel really humbled and really grateful to have the opportunities that I've had over the past couple of years to work with some amazing people. I think, at this point, I just want to put my head down and grind and do honest work.
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In a lot of ways, the real learning at RISD happened after-hours when you're working side by side with your colleagues.
