Joe Williams Quotes
Quotes to Explore
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In some Old Testament books, it's very evident that an editor has been at work. That's quite all right. It's part of the process.
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It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized.
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There's a set of rules out there somewhere that says it all ends by 40. I hope to be able to defy that because I truly love my work.
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I was a little, uh, incorrigible as a kid, so the kitchen was a good place to give me structure and balance. It taught me hard work, but then I grew to love it.
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I want to work with great directors and try not to put too much pressure on myself and just read things for the story and recognize when I'm drawn to something for the right reasons and try to maintain some sanity.
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You learn as you grow up, if you're intelligent - or even three-quarter witted - that there's no free lunch. You pay for things in various ways. Living, loving, everything else is a matter of the same principles: you learn to work with what you have.
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Sexual harassment at work... is it a problem for the self-employed?
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The biggest challenge is always the governments - they try to stop all good things. I try to stay away from them as much as I can, as I know if someone can destroy something good, it's the government.
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The first 50 years of the cinema were absolutely great years. Original minds were at work establishing the ways to tell a story. And what is happening now is a copying, a pastiche-ing of what was done by great men.
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The state of New Jersey is really two places - terrible cities and wonderful suburbs. I live in the suburbs, the final battleground of the American dream, where people get married and have kids and try to scratch out a happy life for themselves. It's very romantic in that way, but a bit naive. I like to play with that in my work.
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I'd like to do some crazy art installations and design some weird synthesizers and work with other people and make some fun stuff for a bit. Maybe tap into virtual reality stuff or maybe write another record... We'll see.
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I really enjoy laughing at work, and I find that it's easier to do that when you're shooting a comedy.
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It's simple to get a concussion, you know. I don't know how many I've had over my career, you know, but I've definitely had my fair share.
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Going to work for a large company is like getting on a train. Are you going sixty miles an hour or is the train going sixty miles an hour and you're just sitting still?
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Power is natural, but it can be improved with a lot of work. It's been something I've focused on for a couple of years because I saw it as a place where I could make improvements.
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Once when I was working for the Daily News, I was summoned back to work from vacation because Donald Trump announced he was getting a divorce.
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Overall when you work in fashion, you're always in a rush. You're always a little late, always in a hurry. Every single moment's important, so you never have enough time to do what you want to do. It's ridiculous.
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I get paid to go work with people I've admired since forever, and I get to learn from them? What? I would pay to go sit and be a fly on the wall!
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I don't work with Sia every day; it depends what we do, whether we do performances or music videos, so the schedule is weird, but when we're off, we always try to see each other in between. We just hang out; we went to brunch one time, but for the most part I go to her house, and we eat and watch TV.
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I am highly critical of myself. I am never satisfied with my work.
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Women inevitably have to work a little bit harder to be heard. Hollywood is disgustingly sexist. It's crazy.
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It's also very painful, because I feel, and I know, probably all women my age and older feel like we're better and have more to give and are more fun now.
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Treatment is the way to go. It can work if you have the right model.
