Joel Edgerton Quotes
Getting the call from Ridley Scott made me think that sometimes you just need to go to work.
Quotes to Explore
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The lights go down, you hear the applause and you're up there, and then everything else is forgotten.
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It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized.
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I think there is an enormous sea change happening in the global workforce. It has a lot to do with globalization. I think that people used to have a hope for a career or meaningful employment, and its been reduced to internships, part-time work or just grossly underpaid work.
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But all over Ohio - all over America - men and women are going back to work with the pride of building something stamped 'Made in America.'
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I like elegance. I like art nouveau; a stretched line or curve. These things are very much in the foreground of my work.
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I love working with the Farrelly brothers. I'm a big fan and feel very lucky to have gotten to work with them a few times. One thing that I learned while working with them is that you have to keep your cell phone off when filming scenes, or you owe them a lot of money!
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Glory is attained from hard work, step by step.
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I've been working for many years and I think I've managed to work with some of the best people in the business, which has been rewarding and an apprenticeship.
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When you spend a lot of money on one player, you want him to prove himself, but the way football works, one day you can be good, the next you can be bad, and the next after that, you can be very bad. I have come to Manchester City to work very hard and to help my friends make Manchester City great.
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I learned about M&A and how to value assets and work with investment bankers.
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I want to work with the best coaches in the world.
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Above and beyond drawing my creations, I try to incorporate some kind of message. I try not to end as merely a question but try to provide a conclusion within the work.
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It is very difficult to work in another language, and it is also very challenging.
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People know not to mess with my friends or my family because it's not going to work out well for you.
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Playing live is everything. Sometimes being on the road is hard, and it's a lot of work, and tiring. From a musical point of view, you improve all the time. Not only that, but you learn how to deal with people and deal with energy in a live setting.
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'The Stand' came out in May of '94 and was seen by 60 million people a night for four nights, and then two months later, 'Forrest Gump' opened. So within a very short time, I went from being depressed about not getting any work to being in two of the most popular shows of the year.
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I remember, in my first show in New York, they asked, 'Where is the Indian-ness in your work?'... Now, the same people, after having watched the body of my work, say, 'There is too much Indian philosophy in your work.' They're looking for a superficial skin-level Indian-ness, which I'm not about.
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I'm open to all kind of scripts. As long as there's enough scope to perform, I'd take up the offer. In fact, before Yuvan and 'TT' happened, I got an opportunity to work with a top actor-director combination. But my height proved to be a setback.
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In Hollywood, normally things don't work out, and dreams are crushed.
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Everybody's looking for love, and you want to love somebody and be loved in return.
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My sense of what a book should be has changed so radically. I like to think for the better.
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Greece has given Europe the opportunity to fix a defect in the euro zone, that is the fact that we did not have a fiscal union. Now steps have been taken to begin that process. And there is more solidarity from nation to nation, and that is a good thing. That has been Greece's gift to Europe.
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Getting the call from Ridley Scott made me think that sometimes you just need to go to work.
