Joel Rosenberg Quotes
This is a continuation of what I started two years ago with 'Don Giovanni.' I want to continue this tradition of bringing highlights of great operas on the series.

Quotes to Explore
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I got an offer in 1992 to buy a major-league team. I turned down the offer because I don't want my love of the game to involve business.
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An increase in light gives an increase in darkness.
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Help the man-in-the-street make sense of the bewildering.
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We did a remake of Lost in Space. Filmed it in London for four months.
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I shall produce nothing that will offend the proprieties, whether applied to children or grownups. My pictures are turned out with clean hands and, therefore, with a clear conscience which, like virtue, is its own reward.
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It is a profound and necessary truth that the deep things in science are not found because they are useful; they were found because it was possible to find them.
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It's always fun to immerse yourself in a different time period.
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Whether it's through introduction of the right gut bacteria or direct modification of the genes of cows and pigs, I think we're going to have to introduce something like this into our livestock - a way to consume the methane rather than releasing it.
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Tremendous changes are taking place in our country, eradicating the concept of second-class citizenship.
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I like the idea of being so passionate about everything I do and the fact that I might wake up tomorrow and say 'I want to be a chef,' and just pour myself into that.
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Mental health needs a great deal of attention. It's the final taboo and it needs to be faced and dealt with.
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I live intimately with my characters before starting a book. I cut out pictures of them for my wall. I do time lines for each major character and a time line for the entire novel: What is going on in the world as my characters struggle with their problems?
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Fear may very well be a caveman fear of the predator, of the giant lizard chasing them - maybe that's what Steven Spielberg connects with so well in Lost World.
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You know for me when I promise something I want to deliver. If you don't, you have to disappear.
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The path that went by the little house had become a road. Almost every day Laura and Mary stopped their playing and stared in surprise at a wagon slowly creaking by on that road.
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I would lie in bed, and I was nine years old, and say to myself: 'I want to be the richest man in the world.' I've come a long way from there.
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I feel crazy that me sticking with my dreams actually worked. It's wild and incredible.
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I like having a bunch of different experiences. I don't want to do just one thing for the rest of my life.
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Part of the Hong Kong style is the fact that a lot of the performers can perform the moves, and we don't over-rehearse this stuff.
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Something I'm going to try to really instill in my own family is a lot of tradition. And, I used to have a lot of superstitions, and then I realized that it was kind of hogwash. Once I let go of them, I relaxed a lot.
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I grew up in the Bronx where you would stay up late with your girlfriends, just being silly in our bedrooms, whatever. And I was always the clown.
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I'm not put off so much by first-time directors if the script is great. If the script isn't there, I'm not there.
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When you are married to a guy who takes chances every day, who loves risk and has great intuition and great business instincts - when you're married to someone like that who pushes you to dream big, you dream big.
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This is a continuation of what I started two years ago with 'Don Giovanni.' I want to continue this tradition of bringing highlights of great operas on the series.