Joey Kramer Quotes
I'm really into the love thing. When I relate to my guys in the band, I tell them where it's at, and if I feel like telling somebody that I love them, I do.
Quotes to Explore
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I used to be a drummer in a band, and I really loved playing the drums, so I look forward to the right opportunity to do that at some point. Maybe even on TV. Every single live performance I'm doing on TV, I want it to be different and unique.
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Your band members? Your band members don't want to be tied to a machine. They want to be playing. That's what the Beatles did. And the Beatles' stuff is timeless. That's what I would suggest. Just get back to sweating, playing hard, hammering, and having a blast.
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Legislators should demand that we not go through the entire pension reform debate just to apply a band-aid when this patient needs a quadruple bypass.
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'The Unity Band' project has been life-changing for me. I have led many groups of talented musicians, but this is unlike anything else.
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The best part of touring, still, is touching people's hearts and igniting my band and igniting the people into what you call a spiritual revelation is sound and emotion.
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The government of Iran has no problem with the American nation.
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I like to follow my favorite team and talk sports with my band or fans. You won't believe how many musicians are sports fans. We have so much time on tour that we need these outlets for relaxation.
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I grew up playing about 15 instruments and the way that I was able to accomplish that was by cutting my classes, hanging out in the band room all day, and going from one instrument to the next to the next, until I learned how to play everything by ear.
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When I first started, I worked with my father, Alex 'Little Bill' Wallace; he was a guitarist like B.B. King. I was around 13 when I started, and I learned a lot by looking and listening. I learned how to be a bandleader from watching that band work.
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All the art for Tool is done by the me and the band.
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Sure, we've had our fair share of ups and downs, but I don't know if we've had more than any other rock band... we just have a way of getting ourselves into hot water.
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For a band like us tracklisting is a massive, massive task.
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Obviously any band, any group, someday is not going to be together anymore. That's the truth.
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The first time I went on stage as an adult was touring with the Johnny Cash Show. I'd sang as a child. But my grown-up initiation was as part of that band.
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I think The Doors are one of the classic groups, and I think we're all tempted to feel like the time in which we grew up was somehow special, but I really do believe that there were two golden eras in music: The Forties and Fifties of big band, jazz and swing, and the Sixties and Seventies of rock. To me, they're really unparalleled.
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What you hear about the band is always going to be more disturbing than any particular song.
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There were so many specific things from high school jazz band that I remembered: the conductor searching out people who were out of tune, or stopping and starting me for hours in front of the band as they watched.
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Quite often, little germs of ideas have come from something that I've observed or someone's told me. The process of it becoming fiction is expanding and extending it: stretching the rubber band of reality.
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The band couldn't have happened anywhere else in the world but New York. That was the catalyst.
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I don't really go into labels or an in-depth discussion of different value systems because for me, it's sort of the truth of the situation in D.C. Certainly, in my fictional depiction of it, there are decent, shameless people on both sides at every level.
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In the restaurant business, as opposed to the theater, center orchestra is an 8 P. M. reservation. Orchestra on the side is 7 or 8:30. Mezzanine is 6 and 9. But people don't take it personally when they call the theater and can't get what they want.
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I'm really into the love thing. When I relate to my guys in the band, I tell them where it's at, and if I feel like telling somebody that I love them, I do.
